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At SF Weekly, we take journalism seriously without getting stuffy about it, make sardonic wit and literary style weekly occurrences, and absolutely cherish political independence. We can inveigh against the Total Information Awareness mindset of the Bush administration, and then,...
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More by Ben Westhoff
Rappers With Low Self-Esteem: Bragging About Going Brokenew
In our ironic age, it shouldn't be surprising that a new crop of MCs is boasting about a lack of cars, women, and riches. San Francisco actor and comedian Erik Weiner can genuinely hold his own on the mike.
SF Weekly |
Ben Westhoff |
01-21-2009 |
Profiles & Interviews
Kanye's Latest is a Singular Testament to Indescribable Sufferingnew
Thematically, 808s and Heartbreak plunges deeper into West's usual neuroses (insecurity, spiritual unease, and the difficulties of celebrity). The death of his mother and a relationship fissure have brought these concerns into sharper focus.
The Knux: From Street Warfare to Soirees with Socialitesnew
Krispy Kream and his brother Rah Al Milio have morphed from Cajun survivalists to Hollywood up-and-comers, becoming the toast of the underground rap scene in only a few years.
SF Weekly |
Ben Westhoff |
11-13-2008 |
Profiles & Interviews
More by SF Weekly
The Rise of the iMusiciansnew
iPhones and iPads are revolutionizing beatmaking, piano playing, and symphony conducting.
Cloud Technology and the Future of Portable Musicnew
The common way to listen to music has changed relatively slowly over the years, from records to CDs to downloadable files. Downloads could go the way of the forlorn CD, felled by something even more ephemeral: the Cloud.
The Dutchess and the Duke Break Hearts on Acoustic Stringsnew
Sunset/Sunrise is permeated by a much darker mood than the band's debut, She's the Dutchess, He's the Duke, but the follow-up succeeds by using the same simple arrangements.
SF Weekly |
Jennifer Maerz |
11-04-2009 |
Profiles & Interviews
Jay Farrar, Ben Gibbard, and a Bad Actress Pay Tribute to Kerouac's 'Big Sur'new
On the One Fast Move or I'm Gone soundtrack, Farrar and Gibbard trade off singing 12 songs with lyrics taken from Big Sur, including lines from the poem "Sea" that closes the novel. Farrar admits to being intimidated at first to use Kerouac as his lyricist, until he settled into a stream-of-consciousness songwriting style.
SF Weekly |
Jennifer Maerz |
10-22-2009 |
Profiles & Interviews
Unagi Keeps Hip-Hop Reference-Richnew
Unagi takes hip-hop on a maximalist ride that jells with his geography. He talks up living in the birthplace of Del the Funkyhomosapien, Hieroglyphics, and DJ Shadow, and his drive to "go for more obscure references than [sampling] the obvious song."
SF Weekly |
Jennifer Maerz |
07-15-2009 |
Profiles & Interviews
