Going for the Gold at the Toronto International Film Festival
Philadelphia City Paper |
September 29, 2009
Philadelphia City Paper
City Paper, Philadelphia's original alternative newsweekly, has the largest readership* of any newsweekly in the region. City Paper is available on nearly every street corner in Center City, in select retail and entertainment locations as well as in select neighborhoods,...
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The Toronto Film Festival forecasts a so-so film season.
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The Epic, Overstuffed 'Inglourious Basterds' is WWII Through a Tarantino Lensnew
Tarantino is more interested in tailoring the WWII movie to fit his preoccupations than the other way around. He even manages to satisfy his foot fetish by having an errant high heel play a pivotal role in the climactic sequence.
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Francis Ford Coppola Talks About His Return to Smaller, More Personal Filmmakingnew
After a decade spent trying to mount a pair of costly passion projects, Coppola abruptly shifted gears and embarked on what he calls his "second career," which began with 2007's Youth Without Youth and continues with Tetro, the story of estranged brothers nursing the emotional wounds of their upbringing by a domineering orchestra conductor father.
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Tags: Tetro, Francis Ford Coppola
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Oh, Canadanew
The Toronto Film Festival forecasts a so-so film season.
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'The Imaginarium of Doctor Parnassus': City Paper Grade B+new
The narrative is a showy gloss on the Faust legend with Tom Waits as a carny-huckster Beelzebub and Christopher Plummer as a monk-turned-immortal showman, and its reliance on oft-told tales and fairy tale archetypes is welcome given how the narrative seems to unravel rather than unfold.
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Consciously Collective: How Four Filmmakers Redefine Our Visual Historynew
Defining the archive as "a repository for any personal memories, shared histories, objects and documents through which we revisit the history of our time," Robert Cargni has assembled four programs by filmmakers who rework the archives of our visual culture.
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Director R.J. Cutler Talks About 'The September Issue'new
Cutler talked with us about Vogue, creative director Grace Coddington and coming face to face with the devil herself, only to find she's not that scary after all.
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Bobcat Goldthwait Talks About the Rebirth of His Careernew
Make no mistake -- Goldthwait is fully aware of his place in the culture. "If somebody told me Michael Winslow was making movies," he says of his Police Academy co-star, "I'd be kinda skeptical. I'd have a very arched eyebrow."
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