'Cold Souls' Has a Charlie Kaufman Premise, but it's Not a Charlie Kaufman Movie
Seattle Weekly |
August 24, 2009
Seattle Weekly
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More by Brian Miller
'North Face': An Alpine Tragedy Becomes a Harrowing Filmnew
Director Philipp Stölzl makes the movie a tad more political (i.e., anti-Nazi) than it needs to be, but Benno Fürmann's stoic performance reduces the story to its harsh, true fundamentals. Of the risks in climbing (as in life), he says, "You can be the best, but it's still a lottery."
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'District 13: Ultimatum' — More Stunts, Pleasenew
Less a sequel than a remake of the exhilarating 2006 French action flick that introduced parkour to American audiences, D13:U only works when at full sprint. In the rotting, riot-prone, walled-off banlieues of near-future Paris, David Belle returns as the endlessly inventive ghetto acrobat.
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The Exceptionally Cranky Life of Brother Theodorenew
To those who remember his appearances on David Letterman's show in the '80s, Brother Theodore was a German-accented, white-haired old crank whom Dave tried to goad—without much success—into a smile.
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More by Seattle Weekly
'North Face': An Alpine Tragedy Becomes a Harrowing Filmnew
Director Philipp Stölzl makes the movie a tad more political (i.e., anti-Nazi) than it needs to be, but Benno Fürmann's stoic performance reduces the story to its harsh, true fundamentals. Of the risks in climbing (as in life), he says, "You can be the best, but it's still a lottery."
Seattle Weekly |
Brian Miller |
02-08-2010 |
Reviews
'District 13: Ultimatum' — More Stunts, Pleasenew
Less a sequel than a remake of the exhilarating 2006 French action flick that introduced parkour to American audiences, D13:U only works when at full sprint. In the rotting, riot-prone, walled-off banlieues of near-future Paris, David Belle returns as the endlessly inventive ghetto acrobat.
Seattle Weekly |
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02-08-2010 |
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The Exceptionally Cranky Life of Brother Theodorenew
To those who remember his appearances on David Letterman's show in the '80s, Brother Theodore was a German-accented, white-haired old crank whom Dave tried to goad—without much success—into a smile.
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Dinner-and-a-movie joints face two main challenges: 1) having the clout to book first-run pictures from studios and 2) pricing a menu above the cheese-drenched nachos at Pacific Place yet below the $100-plus you can spend for a dinner date at Gold Class.
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Ten years in the making, Strongman both anticipates and follows The Wrestler: Stanley Pleskun is no longer young, keeps hoping for his luck to change, and ekes out a living as a scrap-metal dealer. (He inks the design on his costume with a Sharpie.)
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