AltWeeklies Wire
Mamet’s 'Speed-the-Plow' Hollows Out Hollywoodnew
David Mamet is all about dialogue – a dialogue of interruptions and unfinished sentences, repetition and leaps across loosely connected ideas. It’s tough-guy back-and-forth, bobbing and weaving with everything from intellectual razzle dazzle to low-blow punchlines.
Monterey County Weekly |
Walter Ryce |
03-04-2010 |
Theater
Tags: Cherry Center, David Mamet
David Mamet's Redbelt is a Return to Formnew
In a sense, the arc of Mamet's career has been one long journey from Chicago to Hollywood, and his last few movies as a writer-director -- State and Main, Heist and Spartan -- suggested that arc was turning steeply downward. Redbelt emphatically reverses this decline by combining in near-perfect proportion what Mamet loves and hates about Hollywood.
Chicago Reader |
J.R. Jones |
05-19-2008 |
Reviews
Tags: David Mamet, Redbelt
David Mamet Knows Kung Funew
The ghosts of the Shaw Brothers haunt this tale of Mike Terry, a painfully noble Los Angeles jiu-jitsu instructor who, through a series of increasingly unlikely occurrences, gets sucked into a world of sketchy movie producers and unethical mixed martial arts fighters.
The Portland Mercury |
Erik Henriksen |
05-09-2008 |
Reviews
David Mamet's Kung-Fu Comebacknew
He's back in shape with the martial-arts thriller Redbelt.
Montreal Mirror |
Malcolm Fraser |
05-09-2008 |
Reviews
Tags: David Mamet, Redbelt
'Redbelt': You Can't Spell Mamet Without MMA!new
The famed playwright goes jiu-jitsu on us.
Fort Worth Weekly |
Kristian Lin |
05-08-2008 |
Reviews
David Mamet Shows Jiu Jitsu Some Lovenew
Redbelt is a likable distraction, especially for Mamet's trademark staccato dialogue and the deft choreography of its martial-arts sequences.
San Antonio Current |
Steven G. Kellman |
05-07-2008 |
Reviews
David Mamet Creates a Serious 'Karate Kid'new
But Mamet's self-seriousness stifles Redbelt's cinematic potential.
New York Press |
Armond White |
05-01-2008 |
Reviews
