AltWeeklies Wire

Why We Can't Leave the '90snew

Nostalgia is predictable, safe, and increasingly regressive. Soundgarden, thankfully, is not.
Seattle Weekly  |  Maura Johnston  |  02-06-2013  |  Music

Prince is Untouchablenew

There’s taking things to the next level, and then there’s Prince.
Seattle Weekly  |  Duff McKagan  |  06-13-2011  |  Reviews

London, Axl, and Continued "Patience"new

Mere hours after landing at Heathrow I found myself onstage with a friend that I have been to hell and back with, and lived to tell the tale. Axl Rose and I just happened to be in hotel rooms next to each other. Unexpected? Oh, fuck yes.
Seattle Weekly  |  Duff McKagan  |  11-04-2010  |  Music

James McMurty's Quixotic Questnew

Never-quite-was is more like it, as James McMurtry, the son of famed novelist and screenwriter Larry (Lonesome Dove) McMurtry, has yet to live up to the "next big thing" status bestowed on him when he burst out of the gates with his debut.
Seattle Weekly  |  Mike Seely  |  02-22-2010  |  Profiles & Interviews

Patti Smith on Christ, Cobain and Robert Mapplethorpenew

Twenty years after the death of her friend and lover, photographer Robert Mapplethorpe, punk-rock pioneer Patti Smith has released Just Kids, her memoir of the couple's bohemian, hardly-fed days in late-'60s New York City.
Seattle Weekly  |  Chris Kornelis  |  01-25-2010  |  Profiles & Interviews

Tooth & Nail’s Latest Cover Boy, a Grammy-Nominated Seattleitenew

Rural Appalachia is not generally regarded as a breeding ground for the arts, but it was in a house on a hillside in the West Virginia woods that Jordan Butcher cut his teeth as a rock-'n'-roll designer.
Seattle Weekly  |  Brian J. Barr  |  01-25-2010  |  Profiles & Interviews

Former Seattle Weekly Editor Aja Pecknold’s a Fleet Foxnew

As the paper's former clubs editor, Aja Pecknold churned out blurbs for The Short List, maintained her "Behind the Scenes" column, and penned some lively features. She now serves as point person for all things Fleet Foxes.
Seattle Weekly  |  Brian J. Barr  |  01-04-2010  |  Profiles & Interviews

How a Designer Found a Niche Packaging Music in Something You Can’t Downloadnew

Byron Kalet has been applying the basic conventions of popular song—rhythm and tone—to an audio magazine he calls the Journal of Popular Noise. Recently, he released Residential, a collection of tracks by Foscil that is limited to 300 copies.
Seattle Weekly  |  Brian J. Barr  |  12-07-2009  |  Music

Q&A: Jay Farrar on Kerouac, 'Big Sur'new

Son Volt frontman Jay Farrar has been reading Jack Kerouac since he was a teenager. But writing the music and lyrics for the soundtrack to One Fast Move or I'm Gone, a documentary about Kerouac's semi-autobiographical novel Big Sur, provided plenty of firsts for the songwriter.
Seattle Weekly  |  Chris Kornelis  |  12-07-2009  |  Profiles & Interviews

No Subject is Sacred for Vic Chesnutt, Including JFK's Sexploitsnew

All great artists are misunderstood in one way or another. When Vic Chesnutt is considered at all, it's often as a tragic figure whose past missteps continue to haunt him. But throughout his work a salty sense of humor can be found alongside much tenderness, rage, and self-doubt.
Seattle Weekly  |  Brian J. Barr  |  11-30-2009  |  Profiles & Interviews

Kenny G on Weezer, Barack Obama and 'Wayne's World'new

Kenneth Gorelick, the man who has moved more than 48 million records -- one of the most satirized men in pop culture -- recently gave us a call from Puerto Rico before a gig.
Seattle Weekly  |  Chris Kornelis  |  11-16-2009  |  Profiles & Interviews

Nirvana: Back in 'Bleach'new

The first Nirvana album was probably the last one you heard, but it marks a critical chapter in Seattle music history. It's worth going back to for a fresh -- or first -- listen, even two decades after the fact and long after grunge was laid to rest.
Seattle Weekly  |  Chris Kornelis  |  11-02-2009  |  Music

The Cave Singers Craft Songs Underground, After Cereal, in Seattlenew

"Living together makes it so we can play music together more than most people in bands probably do," says guitarist Derek Fudesco. That sense of ease and unhurriedness is the glue that holds the Cave Singers together as a band, and can be heard on their latest record, Welcome Joy.
Seattle Weekly  |  Brian J. Barr  |  10-19-2009  |  Profiles & Interviews

Sub Pop Offshoot Hardly Art is Hardly Starvingnew

Like the now-defunct Sub Pop offshoot label Die Young Stay Pretty, Hardly Art receives financial backing from Sub Pop. But unlike DYSP, Hardly Art is determined to live to see middle age on its own dime.
Seattle Weekly  |  Sara Brickner  |  09-21-2009  |  Music

Seattle Rapper D. Black Trades Rhymes for Religionnew

Most musicians with a brand new album would probably spend a Friday night at clubs or music venues, either playing a show or promoting their record. But Black isn't interested in any of that. In fact, he's ready to give up rap entirely.
Seattle Weekly  |  Jonathan Cunningham  |  09-14-2009  |  Profiles & Interviews

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