AltWeeklies Wire

City of Lost Childrennew

What's with all the dead babies in Boston? There's something distinctly crude about the simultaneous arrival of two new movies -- Gone Baby Gone and Reservation Road -- that focus on slain children and bereaved parents.
Willamette Week  |  Aaron Mesh  |  10-17-2007  |  Reviews

Wes Anderson's Man-Boysnew

The thing that elevates The Darjeeling Limited, what makes it a movie well worth seeing, is how aware the director is of limitations -- in his characters and himself.
Willamette Week  |  Aaron Mesh  |  10-10-2007  |  Reviews

'Into the Wild': The Long Goodbyenew

Sean Penn gives Chris McCandless one last embrace.
Willamette Week  |  Aaron Mesh  |  10-03-2007  |  Reviews

'Lust, Caution' is Drained of All Delightnew

The film is sonorous and dull in the same way as Crouching Tiger, Hidden Dragon: It takes disreputable, pulpy pleasures and beats them to death with decorum.
Willamette Week  |  Aaron Mesh  |  10-03-2007  |  Reviews

Robert Benton on 'Feast of Love'new

Once in Benton's company, his generosity becomes instantly apparent: He's quick to praise the actors and cinematographers he's worked with, often crediting his films' innovations almost entirely to his collaborators.
Willamette Week  |  Aaron Mesh  |  09-26-2007  |  Profiles & Interviews

Peter Berg Unleashes Violence On Saudi Arabia -- and Usnew

Berg has made an action movie called The Kingdom that is set in Saudi Arabia, that includes a great many bastards getting wasted, and is ultimately a responsible and even a very fine piece of filmmaking.
Willamette Week  |  Aaron Mesh  |  09-26-2007  |  Reviews

'Eastern Promises': An Examination of Mother Russianew

Director David Cronenberg has carefully constructed a story about a motherland poisoning its children -- a repeated theme in Russian history, from Ivan's cannibalism to Stalin’s 20 million.
Willamette Week  |  Aaron Mesh  |  09-19-2007  |  Reviews

Paul Haggis Preaches Bad News About Iraqnew

The movie needs him, though. In the Valley of Elah wants to be a Deer Hunter for a new quagmire, but instead it plays as a very special episode of Law & Order.
Willamette Week  |  Aaron Mesh  |  09-19-2007  |  Reviews

'My Boys' of Summernew

TBS's My Boys isn't groundbreaking, nor is it the funniest show you'll ever see, but it is consistently entertaining.
Willamette Week  |  Daniel Carlson  |  09-12-2007  |  TV

Did They Forget the Script?new

Quiet City represents a strong progression for Katz as a visual storyteller, but the characters seem to lack the ability to articulate a complete sentence.
Willamette Week  |  Aaron Mesh  |  09-12-2007  |  Reviews

This is for All the Lonely (and Finnish) Peoplenew

The bloom has fallen off the fable-spinning formalism of directors like Aki Kaurismaki, Jim Jarmusch and even Wes Anderson; what critics once saw as sweetly askew in their work is now suspected of being arch and self-conscious.
Willamette Week  |  Aaron Mesh  |  09-05-2007  |  Reviews

'The Pickup Artist' Urges Men to Become Tools to Get Womennew

VH1's new reality show begins with eight self-described losers being shuttled to a mansion in Austin, where they will be educated in the ways of picking up women by Mystery and his two wingmen, who call themselves Matador and J-Dog.
Willamette Week  |  Daniel Carlson  |  08-29-2007  |  TV

'Balls of Fury': Who Needs Jokes? They've Got Ping-Pong!new

This movie is the sort of comedy in which things are not funny because they are ironic or funny because they're absurd or even funny because they're strangely juxtaposed, but simply funny because they're there.
Willamette Week  |  Aaron Mesh  |  08-29-2007  |  Reviews

'The King of Kong': The Competitive Video Game Mafianew

In its heart, Kong is a classic David-and-Goliath story -- only this time, Goliath is a sociopathic grownup version of the geekiest kid in high school, and the results are far funnier.
Willamette Week  |  Ap Kryza  |  08-22-2007  |  Reviews

'Resurrecting the Champ': Punching His Weightnew

It's a movie about wanting to be better than you are, but its real lesson is how Josh Hartnett, at least this once, has accepted who he is.
Willamette Week  |  Aaron Mesh  |  08-22-2007  |  Reviews

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