AltWeeklies Wire

Dreamlike Soundnew

Oceanographer's guitars, synthesizers and spare strings melt together like a Phil Spector wet dream.
Dallas Observer  |  Sam Machkovech  |  02-07-2006  |  Reviews

Two of a Kindnew

This covers collaboration largely succeeds because both artists do what they're expected to do on any given record -- confuse the shit out of everyone.
Dallas Observer  |  Noah W. Bailey  |  01-31-2006  |  Reviews

Headed to Memphisnew

A team of legendary Memphis producers, including the Hodges Brothers, fill The Greatest with country and soul sounds unlike any Cat Power record before it.
Dallas Observer  |  Sam Machkovech  |  01-31-2006  |  Reviews

From Out of Nowherenew

A Brazilian living in Los Angeles covers beloved obscurities and the result is an album that aches to be heard by someone.
Dallas Observer  |  Robert Wilonsky  |  01-23-2006  |  Reviews

Truly Solonew

The Rilo Kiley singer's solo debut is a darling, introspective look at a young woman making sense of her spirituality.
Dallas Observer  |  Sam Machkovech  |  01-23-2006  |  Reviews

No Surrendernew

Marah is back in fighting form on If You Didn't Laugh, You'd Cry.
Dallas Observer  |  Noah W. Bailey  |  01-23-2006  |  Profiles & Interviews

Wild Apenew

If your taste in music is so safe, bland and generic that you think Christian rock can get a little too "saucy," then you're in luck, thanks to Dallas' latest clones Belafonte.
Dallas Observer  |  Sam Machkovech  |  01-17-2006  |  Reviews

Past and Presentnew

The music on this North Carolina band's debut captures the feel of a half-century ago while dealing with the day-to-day difficulties of the here and now.
Dallas Observer  |  Darryl Smyers  |  01-09-2006  |  Reviews

A Pack of Muttsnew

The mongrels and strays are the very albums one writer loves -- the ones that are too artsy and meandering for No Depression, too rootsy and plainspoken for Pitchfork and too concise for the hippies at Relix.
Dallas Observer  |  John Nova Lomax  |  12-29-2005  |  Reviews

Pop Rocksnew

In 2005, pop music was rock music. Even the biggest top-40 starlets liked their guitars cranked up to a sassy 11. Here are the shiniest and catchiest of 2005's snap and fizz.
Dallas Observer  |  Annie Zaleski  |  12-29-2005  |  Reviews

Near Clonesnew

A review of Suburban Kids' first full-length might only require five words -- "Swedish version of Magnetic Fields."
Dallas Observer  |  Sam Machkovech  |  12-22-2005  |  Reviews

Hear What We Hearnew

Don't waste your time at the local listening station comparing 20 versions of "Deck the Halls." The critics have already done that for you (ugh) to recommend the best seasonal albums of 2005.
Dallas Observer  |  John Nova Lomax and Sam Machkovech  |  12-21-2005  |  Reviews

Seminal Syntaxnew

Having grown sick of impenetrable jargon, a rock critic pledges from this day forward not to describe anything as "a seminal, coruscating slab of minimalist pop."
Dallas Observer  |  Rob Harvilla  |  12-21-2005  |  Music

Take Me Homenew

England has been raving about half-Texas, half-Manchester band The Earlies for two years. Now it's Texas's turn.
Dallas Observer  |  Sam Machkovech  |  10-24-2005  |  Profiles & Interviews

Crowe's Songsnew

The CD Elizabethtown is only the latest to reveal director Cameron Crowe's love affair with soundtracks.
Dallas Observer  |  Robert Wilonsky  |  10-17-2005  |  Reviews

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