AltWeeklies Wire

A Legend Livesnew

After 35 years, Brian Wilson's Smile has finally delivered its payoff -- peace of mind, the redemptive power of love, and Heaven as a place with great surfing.
Boston Phoenix  |  Brett Milano  |  10-19-2004  |  Reviews

Mystery Mannew

Even to the guitarists who make up much of his avid body of fans, John Fahey is something of a riddle. A new DVD makes him no less enigmatic but does provide an up-close look of elements of his style.
Boston Phoenix  |  Ted Drozdowski  |  10-19-2004  |  Reviews

Sleepwalker: Elliott Smith's Unhappy Dream Lifenew

Elliott Smith died on Oct. 21, 2003, of what most think was a self-inflicted stab wound to the heart. Now the entertainment industry has set a new world record: shortest period between an artist’s passing and the cottage industry created to exploit him.
L.A. Weekly  |  Alec Hanley Bemis  |  10-18-2004  |  Profiles & Interviews

Costello Deliversnew

The Delivery Man is Costello's first album for Lost Highway and his first with the Imposters. He's joined by two first-time guests: Emmylou Harris and Lucinda Williams. But as with all his releases, the real power resides not in novelty but in the songwriting.
Illinois Times  |  Rene Spencer Saller  |  10-18-2004  |  Reviews

Spin Doctornew

Tom Waits finds his political muse on Real Gone.
Boston Phoenix  |  Ted Drozdowski  |  10-15-2004  |  Reviews

Dangerous Magical Dirtnew

The Dirtbombs play in the rock and roll style.
Tucson Weekly  |  Curtis McCrary  |  10-14-2004  |  Profiles & Interviews

A Different Medleynew

The Fiery Furnaces put together a boat that floats.
Tucson Weekly  |  Annie Holub  |  10-14-2004  |  Profiles & Interviews

Group Makes Connections Not Originally Intended to Existnew

The group mixes sprawling shards of percolating percussion with burbling bass and hiccuping vocals, creating a micro-edited chaotic bliss. But where past material bristled, Connector bustles.
Creative Loafing (Atlanta)  |  Tony Ware  |  10-14-2004  |  Reviews

Live and Well Celebrates Parton's Recent Worknew

Recorded and filmed at her theme park Dollywood, the 23 tracks are loaded heavily with bluegrass, but Parton gives some time to the string of '70s and '80s era pop-country hits such as "Islands in the Stream" and "Here You Come Again."
Creative Loafing (Atlanta)  |  James Kelly  |  10-14-2004  |  Reviews

The Faint Pads its Pants a Bit With Latest Releasenew

Wet From Birth, the third full-length from serrated synth-pop revivalists the Faint, is -- despite the title -- neither a birth nor rebirth for the Omaha-based quintet; it is a gestation.
Creative Loafing (Atlanta)  |  Tony Ware  |  10-14-2004  |  Reviews

The Stripped Sounds, Dry Wit and Humor of Liverpool's Clinicnew

Clinic's music is built from small shards of melody and rhythm cobbled together unhurriedly rather than slogged out in terse studio sessions. That is surprising considering the taut nature of many of the concise songs.
Creative Loafing (Atlanta)  |  Tony Ware  |  10-14-2004  |  Profiles & Interviews

Reissues Reveal Troubled Brilliance of Brian Wilsonnew

Wilson has completed and finally released SMiLE (Nonesuch), his "teenage symphony to God" and an exercise in "modular" recording. Now the obvious question would be does SMiLE live up to its legend?
Creative Loafing (Atlanta)  |  Tony Ware  |  10-14-2004  |  Reviews

Chaka Khan Keeps it Real About Life, Drugs and Musicnew

Chaka Khan gives the scoop on her wild twister of a life, including a long battle with drugs, and her music, since she's just released ClassiKhan, a new album of standards ("I'm in the Mood for Love"), show tunes ("Big Spender"), and movie themes ("Goldfinger").
Creative Loafing (Atlanta)  |  Craig Seymour  |  10-14-2004  |  Profiles & Interviews

No Easy Way Outnew

Amid the lingering doubts about Elliott Smith's cause of death and the release of new merchandise, the question remains: would he have signed off on his long-awaited album?
San Francisco Bay Guardian  |  Kimberly Chun  |  10-13-2004  |  Profiles & Interviews

Fifteen Years Down the Line, De La Soul Is Still Shining, Still Grindingnew

As one of the creators of bohemian rap, an ambitious and wildly creative alternative to the hardcore macho idioms that dominate hip-hop culture, the Long Island trio is a certified legend, the b-boy equivalent of Sonic Youth.
Miami New Times  |  Mosi Reeves  |  10-13-2004  |  Profiles & Interviews

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