AltWeeklies Wire

The Next Great Portland Icons?new

Four grown-up guys with real jobs play Portland's catchiest music.
Willamette Week  |  Paige Richmond  |  10-24-2007  |  Profiles & Interviews

Caves Does Nothing New Pretty Darn Rightnew

Caves' pretty-boy retro rock certainly pays proper homage to its influences.
Willamette Week  |  Amy McCullough  |  10-24-2007  |  Reviews

When Did Playing a Cello Become, Well, Kind of Cool?new

Quick: Name your favorite cellist (besides Yo-Yo Ma). Chances are, when you hear the words "rock star" or "Portland music scene," the cello is the last instrument that comes to mind -- unless you're Doug Jenkins of the Portland Cello Project.
Willamette Week  |  Paige Richmond  |  10-24-2007  |  Music

Intervision's Virtual Insanitynew

Paul Creighton and company wax chill and sexy, offering funk-laced jazz with a decidedly futuristic bent, making dance-soul fusioneers Jamiroquai an easy comparison.
Willamette Week  |  AP Kryza  |  10-17-2007  |  Reviews

Leigh Marble Opens Up, Gets Dark.new

Pray you're never Leigh Marble's muse. If it doesn't work out, he will write the most hurtful, yet somehow tender, song about the whole mess, and it will burn.
Willamette Week  |  Amy McCullough  |  10-17-2007  |  Profiles & Interviews

The Revisions' Debut Sounds Familiarnew

Debut acoustic album from former punk rockers needs, well, revising.
Willamette Week  |  Paige Richmond  |  10-10-2007  |  Reviews

The Recording History of Loch Lomond is a Curious Thingnew

Listening to Paper the Walls is like watching a season go by in a Disney-esque time lapse.
Willamette Week  |  Brandon Seifert  |  10-03-2007  |  Reviews

Sandpeople Finally Kills 'Em ... With Kindnessnew

My expectations for the Portland hip-hop crew's long-awaited second album were impossibly high; I expected an album that would get the U.S. out of Iraq and reverse global warming. Well, kids are still dying and ice is still melting, but Honest Racket is really good.
Willamette Week  |  Casey Jarman  |  10-03-2007  |  Reviews

Scout Niblett Balances Eccentricity and Confidencenew

This Fool Can Die Now shows that Niblett has talent in spades -- and it speaks so much louder when she focuses on substance over style.
Willamette Week  |  Paige Richmond  |  10-03-2007  |  Reviews

Old Time Relijun: Bad in that Good Waynew

It takes 90 seconds to dismiss Old Time Relijun’s new album, Catharsis in Crisis, as completely unlistenable, but listen again.
Willamette Week  |  Paige Richmond  |  09-26-2007  |  Reviews

Tractor Operator Gets Dark, Real Darknew

There's a shadow hanging over Bleeding Hearts and Severed Legs, as well -- and the thematic heaviness is mirrored by heavier sounds.
Willamette Week  |  Amy McCullough  |  09-26-2007  |  Reviews

Yellow Swans Depart from Realitynew

Yellow Swans has come a long way from the spastic electro-cartoon violence of 2004's Bring the Neon War Home, and At All Ends further cements the band's place at the forefront of Portland's thriving noise underground.
Willamette Week  |  Erik Bader  |  09-26-2007  |  Reviews

Luther Russell Returns with His First Solo Album in Six Yearsnew

Former Freewheeler creates tracks that veer from effortless, enlightened pop reminiscent of Elliott Smith to rootsier ambles, but they never sink beneath the weight of their tormented subjects.
Willamette Week  |  Jay Horton  |  09-26-2007  |  Profiles & Interviews

A Hour-By-Hour Breakdown of MusicfestNWnew

Willamette Week sent our writers out to soak up both MusicfestNW and PICA's Time-Based Art Festival. And then their heads exploded.
Willamette Week  |  Staff  |  09-12-2007  |  Music

Willamette Week's MusicfestNW Guidenew

MusicfestNW is that special time of year when Portland adopts the best of music everywhere and gives it a home. It's the four days when Stumptown venues and music fans open their doors and ears, respectively, to a super-concentrated brand of sonic awesomeness.
Willamette Week  |  Staff  |  09-05-2007  |  Concerts

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