AltWeeklies Wire

Supervielle: Rêverienew

Luciano Supervielle's second solo album, Rêverie, brilliantly sequences live and studio recordings to spin a concert that is almost symphonic in scope, but the French-Uruguayan composer (and keyboardist for Bajofondo) draws his tonal pictures from a small group of instrumentalists who speak jazz, tango, and rock fluently with the sweet accents of the Río de la Plata.
San Antonio Current  |  Scott Andrews  |  12-02-2011  |  Reviews

Music Therapynew

Seth Glier seeks pop music's interpersonal connections.
Colorado Springs Independent  |  Alan Sculley  |  12-02-2011  |  Profiles & Interviews

Pay As You Choose: Why the eclectic Beehive label mattersnew

Since its founding in 2007 by Steve Nawara, Beehive has digitally released a consistent — and consistently eclectic — selection of sounds, a bona fide representation of Detroit’s fertile music scene, from funk to noisy-electro, country and folk to space rock. And it’s all available for download on a pay-as-you-choose basis.
Metro Times  |  Chris Handyside  |  12-02-2011  |  Music

Not Your Father's Hip-Hopnew

The Knux get a pop-rock assist from Kid Cudi and Natalia Kills
Colorado Springs Independent  |  Alan Sculley  |  12-02-2011  |  Profiles & Interviews

The Wrath of Zeusnew

San Antonio rapper Carlton Zeus is no stranger to controversy.
San Antonio Current  |  Enrique Lopetegui  |  11-30-2011  |  Music

Rapsody's For Everythingnew

On For Everything, Rapsody's third full-length project overseen by producer 9th Wonder, her sex appeal and tomboyish, B-girl charisma work in tandem.
INDY Week  |  Eric Tullis  |  11-30-2011  |  Reviews

The Rolling Stones: Some Girlsnew

The Rolling Stones' last perfect album arrived at a crossroads for the band. They were coming off a string of disappointing albums in the wake of Exile on Main St., their greatest achievement, and, in a turn of the tides lost on no one, disco had replaced rock 'n' roll on the radio in the summer of 1978.
San Antonio Current  |  Michael Gallucci  |  11-30-2011  |  Reviews

Sweet Home Detroitnew

Kid Rock finds a way back to his blue-collar roots.
Colorado Springs Independent  |  Tom Lanham  |  11-30-2011  |  Profiles & Interviews

The Prince Vortexnew

Ever watch three hours of Prince videos straight? I did the other night, and I ended up locked within a vortex from which I could not escape.
The Coast, Halifax's Weekly  |  Alison Lang  |  11-29-2011  |  Music

Danielle Howle has a woodsy state of mindnew

Danielle Howle's melodic and spirited folk-rock has always had a raw and earthy flavor, but it was never what fans or critics would describe as "swampy." .
Charleston City Paper  |  T. Ballard Lesemann  |  11-29-2011  |  Profiles & Interviews

Chris Cornell: Songbooknew

Grunge veteran Chris Cornell just can't be stopped. After calling it quits with Soundgarden in 1997 and Audioslave in 2007, a reunion Soundgarden tour, and slew of solo shows, he's released Songbook, a three-part EP with tracks taken from the best hits of his career to date.
San Antonio Current  |  Veronica Anne Salinas  |  11-28-2011  |  Reviews

The Essential Phil Spectornew

Ever since a 17-year-old Spector produced his own composition, "To Know Him Is To Love Him," for the Teddy Bears in 1958, record production has never been the same.
San Antonio Current  |  Enrique Lopetegui  |  11-28-2011  |  Reviews

Bryan Hamilton: Welcome to Dreamlandnew

Local producer Bryan Hamilton has described Welcome to Dreamland as a "bunch of angels talking to each other.
San Antonio Current  |  Adam Villela Coronado  |  11-28-2011  |  Reviews

Party Crashernew

Bob Log III revels in the pleasures of one-man-band excess.
Colorado Springs Independent  |  Reyan Ali  |  11-28-2011  |  Profiles & Interviews

Victoria Celestine: From the Outsidenew

You may have heard of 15-year-old Victoria Celestine. When she was 14 (and known as Victoria Zaleski), she recorded a handful of tracks with producer Gordon Raphael and did a few well-received acoustic shows here and there.
San Antonio Current  |  Enrique Lopetegui  |  11-28-2011  |  Reviews

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