AltWeeklies Wire

Trespass Holds Audiences for Ransomnew

Nicolas Cage doesn't want his movies playing in his house. We could only be so lucky.
Boise Weekly  |  George Prentice  |  10-12-2011  |  Reviews

Mozart's Sister acknowledges complexity even as it invents factsnew

Filmmaker Rene Feret doesn't massage what we know about how Nannerl's talents were allowed to wither, purely on account of her gender, in order to create a comforting narrative.
INDY Week  |  David Fellerath  |  10-12-2011  |  Reviews

Eat Me: An Invitation to a Zombienew

Local filmmaker Daniel Maldonado, 31, says that while he’s not a zombie aficionado, he has seen enough ’80s zombie cult classics and played enough Resident Evil to know in advance he could handle directing the walking dead in his first feature The Killing Strain, an independent horror film shot in south San Antonio in 2009.
San Antonio Current  |  Kiko Martinez  |  10-12-2011  |  Profiles & Interviews

Delivering the Malenew

I usually wince when a network sitcom panders to the 18-49 male demographic (see this year’s Last Man Standing, last year’s Traffic Lights). But the new Man Up hits this demographic where it hurts. It’s a brilliant satire of male pretension and pride, so painfully on target that it might drive away the very viewers it seeks to attract.
San Antonio Current  |  Dean Robbins  |  10-12-2011  |  TV

Film Review: The Ides of Marchnew

As a writer-director, George Clooney pushes all the hot buttons. In Good Night, and Good Luck it was the media; in The Ides of March it’s politics.
San Antonio Current  |  Michael Gallucci  |  10-12-2011  |  Reviews

Film Review: Sennanew

You might already be burned out on movies about automobiles, what with Transformers 3, Cars 2, and Drive, among others. Forget all those. There is only one truly essential movie this year about the relationship between man and machine, and that's Senna.
San Antonio Current  |  Greg Morrison  |  10-12-2011  |  Reviews

Film review: Real Steelnew

Its metaphors are shallow and its plot predictable, but Real Steel is still fun in a fighting-robots-movie kinda way.
San Antonio Current  |  Ben Gifford  |  10-12-2011  |  Reviews

Dying Famous, to Tell the Story of Living in Obscuritynew

The documentary follows the band of the same name's turbulent road to performing at the hallowed rock 'n' roll stomping ground, The Whiskey a Go Go.
Boise Weekly  |  Staff  |  10-12-2011  |  Reviews

Dying Famous: Behind the Storynew

“It’s really about individuals following their dreams"
Boise Weekly  |  George Prentice  |  10-12-2011  |  Reviews

Robbing the Elite: Joel Schumacher Presses the Wrong Buttons

Joel Schumacher continues on his career-long habit of hits and misses with a home invasion suspense thriller that signifies yet another dip.
City Pulse  |  Cole Smithey  |  10-10-2011  |  Reviews

Welcome to the Machinenew

A game Hugh Jackman aids this prepubescent bot royale.
Orlando Weekly  |  William Goss  |  10-06-2011  |  Reviews

Dead Like Tweenew

Gus Van Sant's take on Harold and Maude reeks of decay.
Orlando Weekly  |  Justin Strout  |  10-06-2011  |  Reviews

Wide Angle Lunch Series Feeds the Body and the Mindnew

Working as a corporate lawyer in London, Caroline von Nathusius was troubled by the way that people would rush through the workday without taking a moment to breathe.
Charleston City Paper  |  Erica Jackson Curran  |  10-06-2011  |  Profiles & Interviews

Living in the Material World, Scorsese’s Tribute to George Harrisonnew

When you tick off George Harrison’s achievements, those successes seem impressive enough
San Antonio Current  |  Dean Robbins  |  10-06-2011  |  Reviews

Amateur Hournew

Under the “Basic Information” section of Johnny Luna’s Facebook page, I can only assume the San Antonio filmmaker is being facetious when he describes himself as a “comedian, locksmith, husband, father, musician, film maker [sic]” and then goes on to admit he “suck[s] at all of them.”
San Antonio Current  |  Kiko Martinez  |  10-06-2011  |  Reviews

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