AltWeeklies Wire

Snow, Blood, Nazisnew

Dead Snow is a by-the-book horror film—a third of which is entertaining!
Tucson Weekly  |  James DiGiovanna  |  08-05-2009  |  Reviews

Robert Mapplethorpe's Conspirators in Coolnew

The controversial photographer's traveling show includes way too many bland celebrity pics.
Tucson Weekly  |  Margaret Regan  |  08-05-2009  |  Art

Text Your Friendsnew

Something is wrong with the youth of today.
Tucson Weekly  |  Tom Danehy  |  08-05-2009  |  Comedy

Gallows Shows Off its Unhesitant Death Rattlenew

With Grey Britain, South London hard-core quintet Gallows unleashes a devastating screed against the stupider features of 21st-century English life.
Tucson Weekly  |  Jarret Keene  |  07-29-2009  |  Reviews

Discovery's 'LP' is Faddish Yet Funnew

Listening to Discovery's LP reminds us that synthpop is the "sound of the aughts."
Tucson Weekly  |  Sean Bottai  |  07-29-2009  |  Reviews

Sax Ruins Breaks Down Category Wallsnew

Just when you thought nothing more could be done in the jazz-based idiom with a saxophone and a drum kit, along comes Sax Ruins, a deadly duo featuring improvisational sax player Ono Ryoko and Ruins skinsman Tatsuya Yoshida.
Tucson Weekly  |  Jarret Keene  |  07-29-2009  |  Reviews

The English Beat Continues to Hone its Reggae/Punk Blendnew

The English Beat may have become a beloved footnote in the history of college music if a funny thing hadn't happened in the United States in the '90s: An entirely new generation of kids became enamored with the 2 Tone sound and started forming bands of their own.
Tucson Weekly  |  Stephen Seigel  |  07-29-2009  |  Profiles & Interviews

The Ending of 'Orphan' Shocks and Redeems the Entire Movienew

All of the tired cliches wore down my expectations -- resulting in a major moment of surprise in the film's final act. It doesn't make the film a classic by any means, but it does turn the proceedings into a semi-respectable horror film. It's a big, sometimes darkly funny fake-out that works.
Tucson Weekly  |  Bob Grimm  |  07-29-2009  |  Reviews

'(500) Days of Summer': The Need to Pleasenew

(500) Days of Summer comments on and rejects romantic-comedy conventions -- well, some of them.
Tucson Weekly  |  James DiGiovanna  |  07-29-2009  |  Reviews

The Fiery Furnaces Return With a Very Good Albumnew

If you've ever been on the fence about this band's experimental excess, but enjoyed their more-cohesive moments, you'll be pleased by I'm Going Away.
Tucson Weekly  |  Michael Petitti  |  07-23-2009  |  Reviews

'Bitte Orca' is Aggravatingly Goodnew

The newest album from Brooklyn's Dirty Projectors is downright parasitic: It's an album composed of often noxious components that is deftly able to worm its way into the listener's heart.
Tucson Weekly  |  Michael Petitti  |  07-23-2009  |  Reviews

Evan Dando's Cover Album 'Varshons' Could Easily Be Filed Next to Loretta Lynnnew

Unbelievably, Dando does Townes Van Zandt ("Waiting Around to Die") better than the late songwriter's disciple, Steve Earle, giving the song a hazy, horse-ride-at-dawn touch. If you enjoyed Robert Plant and Alison Krauss' Raising Sand or Cat Power's covers, the Lemonheads' Varshons will dazzle and delight.
Tucson Weekly  |  Jarret Keene  |  07-23-2009  |  Reviews

The Metal Shakespeare Company Brings the Ax Down on the Bardnew

Jason Simms is quick to point out that the metal the Metal Shakespeare Company invokes is neither death nor thrash, since "methinks our death-metal-and-thrash cousin wouldst suit perhaps another poet."
Tucson Weekly  |  Annie Holub  |  07-23-2009  |  Profiles & Interviews

Harry Potter's Sixth Installment is a Dull, Disconcerting Letdownnew

After watching Harry Potter and the Half-Blood Prince, I'm worried that a franchise that was building up some significant steam could be heading for a disaster of Matrix proportions.
Tucson Weekly  |  Bob Grimm  |  07-23-2009  |  Reviews

'Unmistaken Child' Depicts an Unquestionably Fascinating Love Storynew

Unmistaken Child is one of the strangest romance films I've ever seen. It tells, in documentary form, the story of Tenzin Zopa, a disciple of Geshe Lama Konchog.
Tucson Weekly  |  James DiGiovanna  |  07-23-2009  |  Reviews

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