AltWeeklies Wire

Expect The Artist to be showered with Oscar lovenew

You'll know it's truly the Year of the Silent Film if next Tuesday morning you wake up and The Artist has earned an Academy Award nomination in at least one of the two Best Sound categories.
San Antonio Current  |  Kiko Martínez  |  01-19-2012  |  Movies

Disingenuous Journeynew

'Extremely Loud' packs a wallop at the end -- but the rest of the film is too manipulative.
Tucson Weekly  |  Colin Boyd  |  01-19-2012  |  Reviews

It Never Endsnew

The year 2011 in film had some good -- and a whole lot of terrible.
Tucson Weekly  |  Bob Grimm and Colin Boyd  |  01-19-2012  |  Movies

Crtitic's Pick: Shamenew

Over the span of a year he's played iconic comic-book villain Magneto in X-Men: First Class, classic literary character Mr. Rochester in Jane Eyre, and groundbreaking Swiss psychiatrist Carl Jung in A Dangerous Method, but it still took Michael Fassbender (Inglourious Basterds) showing off a little more than his acting ability to get some serious consideration this awards season.
San Antonio Current  |  Kiko Martínez  |  01-19-2012  |  Reviews

Classic Methods for Nu Dekadesnew

Oakland duo wrestles with terms like "conscious hip-hop," and modern forms of marketing.
East Bay Express  |  Will Butler  |  01-18-2012  |  Profiles & Interviews

The Artist is deserving of the feverish praise it has inspirednew

A French silent film as Oscar's Best Picture of 2011? I'm voting oui.
INDY Week  |  Laura Boyes  |  01-18-2012  |  Reviews

Confusion: Steve McQueen is a Deceased Actor, Not an Accomplished Director

Director/co-screenwriter Steve McQueen makes half movies. The sophomore follow up to his over-praised 2008 debut film "Hunger," about Irish Republican Army leader Bobby Sands's prison hunger strike, attempts to disguise its lack of narrative rigor with an unsatisfying minimalist approach.
City Pulse  |  Cole Smithey  |  01-18-2012  |  Reviews

Extremely Loud & Incredibly Close's premise is apposite and affectingnew

Extremely Loud & Incredibly Close tackles 9/11, a cinematic third-rail used as the milieu for films both brilliant (United 93) and inept (World Trade Center; Remember Me).
INDY Week  |  Neil Morris  |  01-18-2012  |  Reviews

Spoiler site claims Elise Testone makes American Idol top 42new

If an American Idol spoiler site is right, Charleston's very own Elise Testone wins over Randy, JLo, and Steven, landing in the singing contest's top 42.
Charleston City Paper  |  T. Ballard Lesemann  |  01-18-2012  |  TV

Shame isn't as shaming as it thinks it isnew

First off, let me just say I don't feel sorry for any dude whose dick I can see from the back. That's the first strike against the lead character as played by Michael Fassbender in Steve McQueen's latest film, Shame.
INDY Week  |  Craig D. Lindsey  |  01-18-2012  |  Reviews

The Artist recalls a time of cultural changenew

Movies don't get much more ebullient, charming, and heart-skippingly cute than the romantic comedy The Artist, which has edged its way into many critical best lists.
Charleston City Paper  |  Felicia Feaster  |  01-18-2012  |  Reviews

The Spy Who Came In From the Fognew

No gadgets or disguises, but a nearly impossible mission.
Boise Weekly  |  George Prentice  |  01-18-2012  |  Reviews

Slap Happy: Soderbergh Knocks Off Tarantino

Proof positive that Steven Soderbergh can make a shamelessly fluffy action thriller, "Haywire’s” trump card is the estimable abilities of mixed-martial-arts-fighter-turned-actress Gina Carano.
City Pulse  |  Cole Smithey  |  01-17-2012  |  Reviews

Parents With Problemsnew

An impeccable cast creates characters you won't soon forget in Roman Polanski's 'Carnage'
Tucson Weekly  |  Bob Grimm  |  01-13-2012  |  Reviews

Review: 'Carnage'new

Propelled by juicy performances, Roman Polanski's brisk drama offers a fine opportunity to wallow in excess and feel superior afterward.
NUVO  |  Ed Johnson-Ott  |  01-13-2012  |  Reviews

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