AltWeeklies Wire

Megadeth's Dave Mustaine Shares His Dark Vision of America's Ruinationnew

Since heavy metal's inception 40 years ago, back when Black Sabbath's eponymous debut was released, the notorious genre has been politically aware and sensitive to the state's growing power at the expense of individual liberties.
Tucson Weekly  |  Jarret Keene  |  03-25-2010  |  Profiles & Interviews

The Tradition of Essential Music That's as Mechanized as it is Carnalnew

I hate electronic music that's devoid of any humanity; the best electronica reframes human experience in a compelling way. Think Tricky's derelict spacecraft love ballads on 1995's Maxinquaye.
Tucson Weekly  |  Sean Bottai  |  03-17-2010  |  Reviews

Xiu Xiu's Albums Have Never Been Anything Less than Subversivenew

Xiu Xiu's seventh album of new material is among its best, embracing synth pop and avant-garde noisemaking more than ever.
Tucson Weekly  |  Gene Armstrong  |  03-17-2010  |  Reviews

Through Sixteen Years Quasi Has Endurednew

We could all learn a lesson in staying power from Portland band Quasi. When Sam Coomes and Janet Weiss formed the band 16 years ago, they were married. They aren't anymore, and haven't been for years. Coomes and Weiss have both been members of other, better-known bands that have long since broken up.
Tucson Weekly  |  Annie Holub  |  03-17-2010  |  Profiles & Interviews

'Alice in Wonderland' is Not So Wondrousnew

Tim Burton is heavy on visuals but light on story with Alice in Wonderland.
Tucson Weekly  |  Bob Grimm  |  03-17-2010  |  Reviews

For This Werner Herzog Film, the Title Says It Allnew

Werner Herzog uses an amateurish script and bizarre acting to create a film that makes it seem like he lost a bet.
Tucson Weekly  |  James DiGiovanna  |  03-17-2010  |  Reviews

Rules of Etiquette, Decency and Fairness Should Apply Across the Boardnew

It was a quiet Thursday afternoon when a co-worker strolled into my office, sat in a chair and asked me a seemingly innocent—but loaded—question. "Why did you write about that?" His facial expression and tone were telling—it wasn't something he wanted to read about. To each his own, but what concerned me was the idea that writing about this topic was somehow wrong.
Tucson Weekly  |  Irene Messina  |  03-17-2010  |  Media

Tucson Woman's Campaign to Get U.S. to Recognize Haitian Siblingsnew

One day in 1984, Jean Berrier Ciceron put his three young children and his pregnant wife on a plane from New York City to his home country of Haiti. He then severed all contact with his family. Nanette Longchamp first heard about the three siblings in 2003.
Tucson Weekly  |  Mari Herreras  |  03-17-2010  |  International

Good Background Music: Efterklant's 'Magic Chairs'new

If Denmark exists primarily in the imagination of Hamlet's "unweeded garden" of "things rank and gross in nature," then Efterklang is here to put a shiny veneer over those dark currents.
Tucson Weekly  |  Sean Bottai  |  03-17-2010  |  Reviews

Changing Their Tune: The Low Anthem's Stylenew

The Low Anthem loves old instruments, new microphones and creating their own style.
Tucson Weekly  |  Linda Ray  |  03-17-2010  |  Profiles & Interviews

Forest Whitaker Stinks Up This Unfunny, Unoriginal Wedding Movienew

Every so often in a bad movie, there's one good scene just dying to get out. Clearly, it's the aberration, because there's nothing else to recommend the film—but for a fleeting moment, everything just goes right.
Tucson Weekly  |  Colin Boyd  |  03-17-2010  |  Reviews

Lacking Intelligence: Even the Ever-Cool Matt Damon Can't Salvage Thisnew

It's admirable when a director tries to go beyond just blowing things up in a war movie (as Kathryn Bigelow did successfully with The Hurt Locker) — but good intentions are never enough. Witness the thrown-together optical assault that is Green Zone.
Tucson Weekly  |  Bob Grimm  |  03-17-2010  |  Reviews

Life With a Neurotic Twistnew

After nearly 40 years of honing a profoundly neurotic stand-up act, Richard Lewis could write a textbook on twisted, self-depreciating improvisation.
Tucson Weekly  |  Will Ferguson  |  03-17-2010  |  Performance

The Lords of Altamont Are All About the Rock 'n' Rollnew

When the Los Angeles band Lords of Altamont began about a decade ago, they set out to strike a balance between purist garage-rock traditions and a heavier hard-rock sound.
Tucson Weekly  |  Gene Armstrong  |  03-03-2010  |  Profiles & Interviews

Old-Fashioned Horror Film Has Ample Scares and Fun Suspensenew

Zack Snyder began his Dawn of the Dead remake with The Man Comes Around, and director Breck Eisner has utilized Cash's version of We'll Meet Again to kick off his redo of The Crazies. Cash's wavering, vulnerable voice acts as a nice precursor to zombie terror.
Tucson Weekly  |  Bob Grimm  |  03-03-2010  |  Reviews

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