AltWeeklies Wire
All Tomorrow's Parties Was a Bloody Good Timenew
Touch and Go's 20-year anniversary festival in 2006 in Chicago was fantastic and Pitchfork this year was a giddy marathon, but simply no one throws down quite like All Tomorrow's Parties.
Seattle Weekly |
Hannah Levin |
09-29-2008 |
Music
Indie Rockers Aren't Playing Americana, They're Playing Dress-Upnew
Don't be fooled by the faded denim and snap-button cowboy shirts.
Seattle Weekly |
Justin F. Farrar |
09-29-2008 |
Music
A Terrorist's Worst Enemies: Morissette, Oberst, and Mick Fleetwoodnew
If the CIA's going to break the bad guys, they're going to have to turn up the pain.
Seattle Weekly |
Thomas Francis and Mike Seely |
09-15-2008 |
Music
Monotonix: Too Hot for Bumbershootnew
After just four songs, the fire marshal deemed the Tel Aviv–based band too dangerous, and had Exhibition Hall staff cut their power.
Seattle Weekly |
Hannah Levin |
09-08-2008 |
Concerts
Joe Shikany's Last Waltznew
Friends say goodbye the Rimrock way.
Seattle Weekly |
Mike Seely |
09-02-2008 |
Music
The Moondoggies: Wary of the Buzznew
The group's debut, Don't Be a Stranger, has been so immediately well-received that within 48 hours of cracking open my advance copy, no less than half a dozen people called, e-mailed, or texted me with some variation of "Holy shit! Have you heard that Moondoggies record?"
Seattle Weekly |
Hannah Levin |
08-25-2008 |
Profiles & Interviews
How Classical Composer Nico Muhly Became an Indie-Rock Darlingnew
And learned to hate Sasha Frere-Jones.
Seattle Weekly |
Brian J. Barr |
08-19-2008 |
Profiles & Interviews
Dutchess and the Duke: Seattle’s New Rock Royaltynew
They may not roll with the Stones, but their blend of '60s rock and folk recalls the time when the game was more grit than glamor.
Seattle Weekly |
Hannah Levin |
08-11-2008 |
Profiles & Interviews
All Water Under the Bridge for Denver's The Fluid.new
The evolution of The Fluid is an involved tale--one that emerged from the burgeoning Denver-Boulder punk movement of the mid-'80s.
Seattle Weekly |
Michael Roberts |
07-15-2008 |
Profiles & Interviews
Seminal Seattle Grunge Group Green River Reunites for a One Nightnew
Eight months ago Mark Arm, current Mudhoney front man and Sub Pop warehouse manager, e-mailed his old friends Stone Gossard, Jeff Ament, Alex Vincent, Steve Turner, and Bruce Fairweather to see if they'd be interested in bringing their now-legendary band Green River together for Sub Pop's anniversary.
Seattle Weekly |
Brian J. Barr |
07-15-2008 |
Profiles & Interviews
Mark Knopfler a Bigger Gay Icon Than George Michael?new
However belatedly, Michael has gradually eased into a late-career incarnation as a gay icon. But proof exists that Knopfler might be the bigger icon of the pair, and would therefore be more worthy of gay rock fans' hard-earned dollars.
Seattle Weekly |
Mike Seely |
07-07-2008 |
Profiles & Interviews
Unlikely Pairing of Earth and Jeese Sykes Bring Ambient Doom Metal and Roots Music Closernew
Since Sykes and Earth front man Dylan Carlson met, the individual styles of both Earth and Sykes' band, Jesse Sykes & the Sweet Hereafter, have begun to resemble each other.
Seattle Weekly |
Brian J. Barr |
06-30-2008 |
Profiles & Interviews
Wolf Parade Brings Order to Its Packnew
Where once Wolf Parade's top dogs walked divergent paths, their new album finds them working together with brilliant results.
Seattle Weekly |
Brian J. Barr |
06-17-2008 |
Reviews
The Kills Carve Out New Terrainnew
With their dark, nuevo garage swagger and relentless undercurrent of staccato percussion, the Kills are obviously influenced by Velvet Underground, but since their inception in 2000 they've sidestepped the trap of over-emulating their idols.
Seattle Weekly |
Hannah Levin |
05-19-2008 |
Profiles & Interviews
Some Uncomfortable Irony in the Dave Matthews Band's Drive to be Greennew
The quintet runs a website that will help fans carpool to shows, but when they tour the country together, Dave Matthews, LeRoi Moore, Stefan Lessard, Boyd Tinsley, and Carter Beauford each travel on separate buses.
Seattle Weekly |
Chris Kornelis |
05-12-2008 |
Music
