AltWeeklies Wire

Anatomy of a Sumbitchnew

This fascinating documentary is no mere instructional video about how to fail in show biz. It's about willful self-immolation, about letting raw ego and crazy delusion run amok, about driving friends and family into storms of rage.
SF Weekly  |  Bill Gallo  |  12-06-2004  |  Reviews

A Psychomagical Encounternew

In life, as well as film, Chilean-born director Alejandro Jodorowsky is avant-garde.
SF Weekly  |  John Mecklin  |  12-06-2004  |  Profiles & Interviews

Enduring Creepinessnew

The film wants to come from behind and surprise in a way that feels punishing, as though the audience being taught a bitter lesson. The result is creepy and unpleasant. There is hope, however bleak, at the end, but mostly there's a sense of unnecessary devastation.
SF Weekly  |  Melissa Levine  |  11-15-2004  |  Reviews

Well Trainednew

The runaway-train action stuff is fantastic. Where the movie falters is when it delivers platitudes about how the spirit of Christmas is in every one of us and Santa is the symbol of the spirit of giving, etc., etc.
SF Weekly  |  Luke Y. Thompson  |  11-15-2004  |  Reviews

Redemption Thongnew

The witless inanity of this film is so numbing that the sole reason for any living creature to sit through it is to marvel at actress Salma Hayek's relentless succession of thongs, sarongs, diaphanous cocktail frocks, and all-but-nonexistent bathing suits.
SF Weekly  |  Bill Gallo  |  11-15-2004  |  Reviews

Icky, Icky, Ickynew

The filmmakers want to have it both ways: They do everything to convince the protagonist and the audience that it might indeed be OK to run off with a 10-year-old boy, then cop out just before she's about to throw away her life.
SF Weekly  |  Robert Wilonsky  |  11-02-2004  |  Reviews

Exposing Utopia's Gateway to Auschwitznew

The Holocaust hangs like a shadow over everything, but this is really more a Kurt Gerron biopic, from his days onstage to his long-awaited stint as a director. Seeing Nazism as just a passing fad, he ignored the threat to himself until it was too late.
SF Weekly  |  Luke Y. Thompson  |  11-02-2004  |  Reviews

Brave and Crazynew

There is no denying that Tarnation is a very brave movie. Rarely is the subject of a documentary willing to lay himself bare before the camera, exposing his very consciousness to the audience, and it's still more uncommon for a director to do it.
SF Weekly  |  Melissa Levine  |  10-19-2004  |  Reviews

The People's Historiannew

At 80-plus, Zinn has the kind of sheen that emanates, spreading cheer even as he exposes the corruption, deceit, and violence that characterize the lion's share of the history he studies. Zinn's beauty is the beauty of righteousness.
SF Weekly  |  Melissa Levine  |  10-19-2004  |  Reviews

Full of Gracenew

The plot makes this film sounds like a cheap romantic fantasy, contrived to make a chunk of change off wistful women pushing 40. In fact, p.s. is a character-driven drama, concerned more with its protagonist's emotional life than with her romantic one.
SF Weekly  |  Melissa Levine  |  10-18-2004  |  Reviews

Mad Cownew

Numerous auteur directors have been inspired by David Lynch. Takashi Miike is one of the few who not only get Lynch's sense of surrealism but also seem to understand his sense of humor.
SF Weekly  |  Luke Y. Thompson  |  09-22-2004  |  Reviews

The Passion of the Goynew

This film's subject matter -- a standoff in World War II Berlin -- is relevant, and it may serve as a balm for many, yet the film itself often resorts to heavy-handedness.
SF Weekly  |  Gregory Weinkauf  |  09-07-2004  |  Reviews

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