AltWeeklies Wire
Multimedia: Murals in Charlestonnew
Charleston isn't widely known for its public art. Occasionally a few murals pop up around town, but our visual identity is inexorably tied to traditional architecture and Rainbow Row. Even signage is tightly controlled, and public projects usually have a raft of red tape to confront.
Charleston City Paper |
Joshua Curry |
04-05-2012 |
Profiles & Interviews
Let's celebrate 100 years of the Titanic with a 3-D movienew
I already knew that Jack would die.
Charleston City Paper |
Susan Cohen |
04-05-2012 |
Movies
Filmmaker explores an outsider’s view of My Americanew
The oil-hungry, debt-loaded America of today is no longer the big-action Reagan-driven America that Hegedus fell so in love with, and in My America, Hegedus has to come to terms with this realization.
Charleston City Paper |
Susan Cohen |
04-04-2012 |
Reviews
Tags: My America
The Rural Route Film Festival reinterprets remotenessnew
Since it was founded in 2002, the Rural Route Film Festival has garnered submissions from all around the world, from shorts to full-length features, uniting city slickers and country folk in a like-minded community.
Charleston City Paper |
Alex Keith |
04-02-2012 |
Profiles & Interviews
Review: 'Tyrannosaur'new
Something about gritty, downbeat British character studies engages Ed. This one may not work for many others, though.
Review: 'With My Own Two Wheels'new
The next film in the IMA's We Are City film series offers an inspiring look at bike-fueled community action across the globe.
'In Darkness' finds humanity plumbing the sewers of Lvovnew
The darkness that pervades Agnieszka Holland's new film is figurative and physical. In Darkness (nominated to a Best Foreign Film Oscar) begins with a bungled burglary attempted under cover of night.
San Antonio Current |
Steven G. Kellman |
04-02-2012 |
Reviews
Fox's 'Touch' = A smoldering Sutherland, pseudo-religious hokum, and a 'magical Negro'new
TV networks have always had a weakness for mysticism, from The Twilight Zone to The X-Files to Lost.
San Antonio Current |
Dean Robbins |
04-02-2012 |
TV
Playing Gamesnew
The Hunger Games isn't a critical feast.
Boise Weekly |
George Prentice |
04-02-2012 |
Reviews
The human beast in Bullhead and Thin Icenew
The Belgian crime drama Bullhead, which was among this year's foreign film Oscar nominees, is as clumsy and misshapen as its unfortunate protagonist, a bulked-up cattle farmer and gangster named Jacky Vanmarsenille.
In 'Hunger Games,' Jennifer Lawrence heads a winning YA franchisenew
Now that the Harry Potter series has wrapped and the Twilight saga lurches toward its final installment, The Hunger Games has swooped in as a sort of allegorical palate-cleanser, a post-apocalyptic showcase for a much needed breath of fresh air in the form of Katniss Everdeen, a YA hero who’s actually a young adult.
San Antonio Current |
Justin Strout |
03-31-2012 |
Reviews
Documentary filmmakers investigate Frank Matthews, 1970s East Coast heroin kingpin and Durham nativenew
"You almost get the impression in Durham that people think he's on the outskirts of town, waiting to hear something bad about him and he's gonna come in and do something."
Colin Quashie's pointed response to the world around himnew
It may be difficult to spot Colin Quashie's second-story studio if you aren't explicitly looking for it. An indistinct C and Q pasted to a glass door are the only clues that something else goes on in this standalone brick-and-concrete building on Upper King Street besides the haircuts that take place in the first-floor barber shop. It doesn't help that the logo gives a better impression of a cloud than a formal set of initials, the puffy and bulbous letters joined together in a cartoonish fashion. So instead, a better sign of what happens on the second story may be in the downstairs shop, where one of Quashie's works hangs on a wall near the wide windows.
Charleston City Paper |
Susan Cohen |
03-31-2012 |
Profiles & Interviews
African Diaspora Film Festival seeks perspective on hip-hopnew
"We want this to be an opportunity for people to talk about not only the positive impact of hip-hop, but also things that aren't so positive about that experience." — Sheila Smith McKoy, director of the NCSU African American Cultural Center
