AltWeeklies Wire

A Joyful Noisenew

Characters bleed, have sex, hang out in scuzzy rock clubs and grapple with ugly problems in this film with a Christian message.
Creative Loafing (Atlanta)  |  Curt Holman  |  08-04-2005  |  Reviews

Times Change and So Does a Familynew

Sadness waits in the wings in almost every scene of the lovely, life-affirming Italian melodrama The Best of Youth.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  08-04-2005  |  Reviews

Less is Lessnew

In Broken Flowers, director Jim Jarmusch crafts the most unglamorous road movie imaginable.
Creative Loafing (Atlanta)  |  Curt Holman  |  08-04-2005  |  Reviews

Southern Culture on the Skidsnew

Good ol' boys and local yokels bring stereotypes to life in Dukes of Hazzard. The TV series hardly strived for sophistication, but exactly how stupid should the movie be?
Creative Loafing (Atlanta)  |  Curt Holman  |  08-04-2005  |  Reviews

Nashville Star Contestants Make the Big Time, or Do They?new

The 2005 edition of Nashville Star hit the small screen with a little less momentum than in past seasons, so things were tweaked a bit to make it interesting.
Creative Loafing (Atlanta)  |  James Kelly  |  07-28-2005  |  TV

Movie Awkwardly Blends Elements of Successful Flicksnew

Stealth seems like the bastard child of a formula-centric marketing department, not the product of a director or screenwriter.
Creative Loafing (Atlanta)  |  Carlton Hargro  |  07-28-2005  |  Reviews

Movie is Simple Tale That Speaks Volumesnew

At heart, Lila Says tells a simple story that takes few detours. Fortunately, the young leads and even Marseilles's old-world neighborhoods look so sumptuous that the film achieves a higher level of sensuality than the script alone would suggest.
Creative Loafing (Atlanta)  |  Curt Holman  |  07-28-2005  |  Reviews

Can You Trade Thuggery for Life as a Concert Pianist?new

More than anything, what ruins The Beat That My Heart Skipped is the general flakiness of the story; a ballad of the sensitive guy trapped in a tough guy's world.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  07-28-2005  |  Reviews

DIsabled Athletes Do Battle in Gripping Documentarynew

Murderball, the winner of this year's Documentary Audience Award at Sundance, assures viewers that the disabled can be bellicose, obnoxious, confrontational and out for blood, especially when they're playing quadriplegic rugby.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  07-28-2005  |  Reviews

Watch Whitney and Bobby Spar, Eat and Kiss in New Reality Shownew

Being Bobby Brown is kind of like being John Doe, except Bobby has gold records, adoring fans and money to help him cope with ... being Bobby Brown.
Creative Loafing (Atlanta)  |  Sonia Clark  |  07-22-2005  |  TV

Film's Eerie Ideas Go Out With a Bangnew

Michael Bay, director of Hollywood's most destruction-crazed movies, makes an unlikely member of the Culture of Life. But his sci-fi thriller offers a metaphorical argument against cloning, stem cell and frozen embryo research.
Creative Loafing (Atlanta)  |  Curt Holman  |  07-22-2005  |  Reviews

Film Chronicles Quiet Desperation and Cutenessnew

Me and You and Everyone We Know's most original feature is probably the way it subverts the lovelorn, hangdog heroes of films like Punch Drunk Love, Garden State and Sideways.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  07-22-2005  |  Reviews

A Pimp Seeks Redemptionnew

Writer/director Craig Brewer offers a harsh, credible portrayal of low-level Memphis criminality and reveals the importance hip-hop can play in "the Life."
Creative Loafing (Atlanta)  |  Curt Holman  |  07-22-2005  |  Reviews

Film Proves to be Uneven Rompnew

Despite loads of snappy banter provided by Wilson and Vaughn and lots of potentially slapstick situations, Wedding Crashers proves to be an uneven romp. The movie oversaturates some scenes with solid laughs and squanders other opportunities.
Creative Loafing (Atlanta)  |  Carlton Hargro  |  07-14-2005  |  Reviews

Director's Ego Gets in the Way of Burlesque Documentarynew

Featuring film clips and interviews with burlesque icons, Pretty Things makes a case for the difference between the show-and-tell stripping of contemporary times and the slow-burn tease of classic burlesque -- despite the director's need for attention.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  07-14-2005  |  Reviews

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