AltWeeklies Wire

Demeans to an End

The movie stops being a raw but sympathetic portrait of a boy's traumatic upbringing and becomes simply raw.
Washington City Paper  |  Tricia Olszewski  |  04-17-2006  |  Reviews

Down and Pout

Lonesome Jim is so right in its particulars, so sure in its tone, that you can almost skate over the hollowness at its center.
Washington City Paper  |  Louis Bayard  |  04-17-2006  |  Reviews

The Decline of the Western

But no matter how well-played, a string of scenes without narrative justification is a string of scenes.
Washington City Paper  |  Louis Bayard  |  04-17-2006  |  Reviews

You Can't Always Get What You Want

Anyone who's expecting a solid telling of a talented man's self-destruction should stay away.
Washington City Paper  |  Tricia Olszewski  |  04-07-2006  |  Reviews

Dead Can Dance

If you can't guess exactly what's coming, you've obviously never seen a dancing movie before -- or any movie, really.
Washington City Paper  |  Tricia Olszewski  |  04-07-2006  |  Reviews

Boy, Can She Pick 'Em

Seduction doesn't look all that seductive in Basic Instinct 2.
Washington City Paper  |  Mark Jenkins  |  04-07-2006  |  Reviews

Noir School Confidential

Evoking John Huston, Jean-Luc Godard and John Hughes without resorting to slavish imitation, Brick doesn't come out of nowhere, but it does end up in a class of its own.
Washington City Paper  |  Mark Jenkins  |  04-07-2006  |  Reviews

Miasma Vice

This is a carefree exercise in murder and retribution, more concerned with style than the moral implications of its protagonist's crusade.
Washington City Paper  |  Mark Jenkins  |  04-07-2006  |  Reviews

Reality Checkpoint

"Once you're doing this kind of film, you can't go the Hollywood way."
Washington City Paper  |  Mark Jenkins  |  03-27-2006  |  Profiles & Interviews

Choice Sophie

Sophie Scholl: The Final Days fails to click for two reasons, one practical and the other conceptual.
Washington City Paper  |  Mark Jenkins  |  03-27-2006  |  Reviews

The Word at War

The film successfully conjures war and peace, as well as its competing notions of Christian duty, but it's vague on any but the most generic sort of humanity.
Washington City Paper  |  Mark Jenkins  |  03-27-2006  |  Reviews

Bride and Prejudice

This is a surprisingly resonant allegory about arrogance and missed opportunities for connection -- and about the dismal odds of ever reaching peace because of these roadblocks.
Washington City Paper  |  Tricia Olszewski  |  03-27-2006  |  Reviews

Cracking Wiseguy

Didn't anyone ever tell Sidney Lumet the one about putting lipstick on a pig?
Washington City Paper  |  Tricia Olszewski  |  03-27-2006  |  Reviews

Huffing About Puffing

It's all in fun, but obviously there's a message here: You can't trust anything or anybody, because even the worst of situations can be spun to look golden.
Washington City Paper  |  Tricia Olszewski  |  03-17-2006  |  Reviews

Spinning Out of Control

Set in a futuristic Great Britain, this adaptation of Alan Moore and David Lloyd's graphic novel has everything to do with red-statism run amok.
Washington City Paper  |  Tricia Olszewski  |  03-17-2006  |  Reviews

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