AltWeeklies Wire
Trail of Dead's 'Century of Self'new
Although Trail of Dead's latest falls shy of the glory days, it suggests a brighter future.
Tucson Weekly |
Michael Petitti |
03-19-2009 |
Reviews
Deaf Guitarist Does Not Go Gentlynew
Since the age of 10, Steve DiCesare has slowly been losing his hearing. It is now almost completely gone, but the band plays on.
Boulder Weekly |
Dylan Otto Krider |
03-19-2009 |
Profiles & Interviews
Post-Hardcore Titans Thursday Headline the Taste of Chaos Tournew
With Common Existence, Rickly and company have reexamined the essential pieces of post-hardcore, spinning them into a web sticky with British shoegaze guitar textures and a humanities degree's worth of source subject matter.
New Times Broward-Palm Beach |
Arielle Castillo |
03-17-2009 |
Profiles & Interviews
U2's 'No Line on the Horizon'new
No Line on the Horizon follows big, time-tested U2 themes--The Edge's crystalline guitars against Bono's lyrics of love and hope.
Tucson Weekly |
Annie Holub |
03-12-2009 |
Reviews
...And You Will Know Us By the Trail of Dead Cuts Its Own Pathnew
Whatever doesn't kill the Trail of Dead makes it stronger.
Westword |
Michael Roberts |
03-09-2009 |
Profiles & Interviews
The Leon Hendrix Experiencenew
Leon's become accustomed to getting the short end of the stick. A former drug addict and small-time crook, he was famously cut out of his father's will -- and in turn, his brother Jimi's estate -- before Al Hendrix's death in 2002.
Seattle Weekly |
Mike Seely |
03-09-2009 |
Profiles & Interviews
El Moz: The Mexican Morrisseynew
Thanks to his ability to soothe an immigrant’s heart without even trying, in the world of rock no one is more Mexican than Morrissey.
San Antonio Current |
Enrique Lopetegui |
03-04-2009 |
Profiles & Interviews
The Creepshow Isn't Afraid to Take on U.S. Customs -- Almostnew
Like the bastard offspring of Elvis Costello and Elvira, The Creepshow is a Canadian "hellbilly" (horror-punk-rockabilly) act that hits every known musical sweet spot.
Tucson Weekly |
Jarret Keene |
02-26-2009 |
Profiles & Interviews
The Born Liars Set Sailnew
Some of the stories circulating about the glammy garage-rockers make even noted wild men like the Who's Keith Moon or anyone in Motley Crue almost seem like amateurs.
Houston Press |
Chris Gray |
02-24-2009 |
Profiles & Interviews
The Perennial Outsider: 'Years of Refusal'new
Morrissey is back to form with this, by far his best album since 1994's Vauxhall and I.
Tucson Weekly |
James Hudson |
02-20-2009 |
Profiles & Interviews
Slank's 'Anthem for the Broken Hearted'new
They've sold 15 million records in their native Indonesia, and now the five members of Slank invade America with their first English-language album. Far from a reference to the lovelorn, the title refers to the inhabitants of a homeland riddled with strife and corruption.
Shepherd Express |
Michael Popke |
02-13-2009 |
Reviews
Mild Experimentation: 'Tonight: Franz Ferdinand'new
With this release, Franz Ferdinand takes an interesting path to bridge the chasm between the fans they quickly garnered and their relevancy in a constantly amnesiac music scene.
Tucson Weekly |
Michael Petitti |
02-05-2009 |
Reviews
'Tonight: Franz Ferdinand'new
The Scottish quartet don’t tinker with the formula too drastically on Tonight: Franz Ferdinand. Good thinking.
Hardly a Tale of Redemption: Deleted Scenes' 'Birdseed Shirt'new
At first glance, thanks to song titles such as "Got God," "Mortal Sin" and "Deacons," it seems like Deleted Scenes' debut album, Birdseed Shirt, is going to be some kind of Christian rock compilation. Once you stop judging the album by its cover, though, it's clear that the four-piece probably isn't jammin' for J.C.
The Finer Points of Outstaying Your Welcome, Starring Scott Weiland and The Gamenew
Rock 'n' roll wraith Scott Weiland and embattled gangsta rapper The Game have one thing in common: Each has overstayed his welcome but continues to enjoy mainstream success by luck, or by the grace of God. In terms of both studio alchemy and tabloid foibles, neither brings anything especially crucial to the cultural table.
Baltimore City Paper |
Raymond Cummings |
01-27-2009 |
Music
