AltWeeklies Wire

'The Secret Life of Bees' is Stinglessnew

The story and social context of Bees probably have substantial potential, but the movie's treatment of them is both superficial and muddled.
Artvoice  |  George Sax  |  10-20-2008  |  Reviews

'The Secret Life of Bees': Buzz Killnew

Saccharine civil rights drama is all honey, no sting.
L.A. Weekly  |  Ella Taylor  |  10-17-2008  |  Reviews

Oliver Stone on 'W.' and the President Who Would Be John Waynenew

W. attempts to cut through the familiar agitprop from both sides of the political spectrum in order to take the long view on its subject and his impact on the course of American history.
L.A. Weekly  |  Scott Foundas  |  10-17-2008  |  Profiles & Interviews

'Moving Midway': Guess Who's Coming to Dinner?new

A white Southern family's alterna-history meets reality.
L.A. Weekly  |  Ella Taylor  |  10-17-2008  |  Reviews

First Shot: Fraud at the Multiplex?new

The makers of An American Carol have pinned their flick's underwhelming $3.7 million opening weekend on a shadier phenomenon: fraud at the multiplex.
Orlando Weekly  |  Steve Schneider  |  10-17-2008  |  Reviews

Coming Soon to Your TV: Even More Billy Mays!new

Soon you'll find Mays and his business partner Anthony Sullivan gesticulating their way into the world of reality television with an inventing showcase called Pitchmen, due to air next spring. Can Billy Mays get any more in-your-face? You bet he can.
Orlando Weekly  |  Billy Manes  |  10-17-2008  |  TV

Brett Gaylor's Documentary Takes on Copyright Lawnew

RIP: Remix Manifesto uses concert footage, animation, multimedia collages and interviews to illuminate both the nuances of the debate over copyright law and how it impacts art, science and life in the 21st century and beyond.
Montreal Mirror  |  Mark Slutsky  |  10-17-2008  |  Profiles & Interviews

First Shot: 'An American Carol'new

Kevin Farley has chosen to introduce himself to the public by playing the Michael Moore–esque documentarian Michael Malone in David Zucker's An American Carol.
Orlando Weekly  |  Steve Schneider  |  10-17-2008  |  Reviews

'City of Ember' Tells it Straight ... Sort Ofnew

It's uneven and flawed and not as totally honest as I might have led you to believe, but at least we're spared yet another round of the Remarkable Boy Who Believed Hard Enough and instead see something that at least approximates the trouble of being a child who must over-come in an adult world.
Arkansas Times  |  Matthew Reed  |  10-17-2008  |  Reviews

Stefan Forbes Talks About His Lee Atwater Doc and the '08 Campaignnew

"Anyone who knows Lee Atwater could see [this year's negative campaigning] coming from miles away. The problem is that the Democrats haven't really studied Atwater's playbook. They don't understand that emotions trump issues."
Santa Fe Reporter  |  Dave Maass  |  10-17-2008  |  Profiles & Interviews

'Max Payne' Doesn't Get Much Further than the Video Game Didnew

The film goes the way of every other movie based on a video game: It starts with a character, and maybe an idea for a look, but after that, it has nothing.
Las Vegas Weekly  |  Jeffrey M. Anderson  |  10-17-2008  |  Reviews

'Sex Drive': Road Tripenew

Clark Duke is no Jonah Hill. And he's certainly no Michael Cera, though he's best known for co-starring with Juno's baby daddy in Clark and Michael, a CBS-sponsored webisode series. Ergo, Sex Drive -- a raunchy, gross-out teen comedy that's actually based on a book -- is no Superbad.
Washington City Paper  |  Tricia Olszewski  |  10-17-2008  |  Reviews

Our Worst President's On-Screen Legacynew

The War on Terror might not have brought about the end of irony, but it sure put a damper on parody. So except for sporadic bits, Bush got a free pass not only from the news media but also from the world of entertainment.
Boston Phoenix  |  Peter Keough  |  10-16-2008  |  Movies

Softcore Porn Leads to Love in the Strange New Romcom 'Good Dick'new

Whatever success Good Dick may achieve as a film is almost entirely thanks to Jason Ritter's performance. Without his charisma and boy-next-door appeal, the movie would be just a cautionary tale about not using Netflix.
New York Press  |  Mark Peikert  |  10-16-2008  |  Reviews

'W.' Gets a Bnew

Maybe it's because Sarah Palin has put the bar so low, but Oliver Stone's Bush seems to have credibility, and he evokes sympathy.
Boston Phoenix  |  Peter Keough  |  10-16-2008  |  Reviews

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