AltWeeklies Wire

Band of Horsesnew

Band of Horses members Ben Bridwell, Creighton Barrett, Tyler Ramsey, and bassist Bill Reynolds recently spoke to Mountain Xpress.
Mountain Xpress  |  Alli Marshall  |  06-10-2009  |  Profiles & Interviews

Indie Phenoms Band of Horses on Playing to the Home Crowdnew

Band of Horses returns to Asheville and frontman Ben Bridwell talks about going commercial, traveling abroad and almost going to jail in Muscle Shoals.
Mountain Xpress  |  Alli Marshall  |  06-10-2009  |  Profiles & Interviews

The Units Punked the System, Played JC Penneynew

I've been dwelling on San Francisco's punk roots a lot lately after stumbling into an excellent new collection of out-of-print material by San Francisco's original synth punks. The group's music and mantra provide interesting angles from which to view an era of rapid technological and artistic progress -- much like the one we're in now.
SF Weekly  |  Jennifer Maerz  |  06-10-2009  |  Profiles & Interviews

Dirty Projectors Make Their Masterpiecenew

Blogs, webzines, and internet radio sites aplenty have been touting Bitte Orca as "album of the year" and an artistic and commercial breakthrough of OK Computer proportions. It's a lot to live up to and the band admits that a bit of self-doubt has crept in.
Boston Phoenix  |  Michael Alan Goldberg  |  06-10-2009  |  Profiles & Interviews

Are the Apes of Wrath the Best Band in San Diego?new

The Apes of Wrath get drunk, talk shit and figure out why everyone thinks they're so awesome.
San Diego CityBeat  |  Seth Combs  |  06-10-2009  |  Profiles & Interviews

The Case for Coldplay (Exhibit A: Music Critics are Assholes)new

Music criticism has become a filthy, disgusting monster that tells you what is art and when it's art and eats your face if you disagree.
San Antonio Current  |  Abbie Kopf  |  06-10-2009  |  Music

Elvis Costello's Latest Offers a Lot to Likenew

The latest from the reliably prolific Cos (his 11th album this decade) is the T-Bone Burnett-produced Secret, Profane & Sugarcane, which can broadly be called his "country album" (though the same can be said, with just about as much accuracy, of 2004's The Delivery Man).
OC Weekly  |  Albert Ching  |  06-09-2009  |  Reviews

On Music Royalty Policy, Does the U.S. Belong with the Axis of Evil?new

The only industrialized countries that don't compensate performers when their works are played over the air are Iran, China, North Korea ... and the U.S. The Performance Rights Act hopes to change that.
Houston Press  |  Chris Gray  |  06-09-2009  |  Music

Blase Splee's Pop Perfection Was a Debut Awaynew

One might guess that a band would invest a lot more thought into its choice of a name than Blase Splee did. But nonchalance might be expected from a couple of guys who know that the true measure of a band has little to do with its name.
Metro Times  |  Scott Bragg  |  06-09-2009  |  Profiles & Interviews

Metric's Emily Haines Doesn't Want Her Face on the Side of a Busnew

Frontwoman Emily Haines happily dismisses her industry's conventions: "As much as it would have been nice at some point along the line for Metric to get a nice, big push from a label, in retrospect I'm grateful that we didn't."
Colorado Springs Independent  |  Jason Notte  |  06-09-2009  |  Profiles & Interviews

The Recent History of Live Music in Dallas Gets Another Discouraging Chapternew

After several events are shut down by local law enforcement, promoters are left wondering: Is the city actively trying to kill its music scene?
Dallas Observer  |  Pete Freedman  |  06-08-2009  |  Music

Andrew Oliver Impresses With 'Just 4 U'new

The Andrew Oliver Kora Band's debut is one of the better world-music releases to come out of the Northwest all year.
Seattle Weekly  |  Jonathan Cunningham  |  06-08-2009  |  Reviews

Ziggy Marley's Family Businessnew

The reggae heir tapped the likes of Willie Nelson and Jack Johnson for a record aimed at toddlers, tykes, and their 'rents.
Seattle Weekly  |  Jonathan Cunningham  |  06-08-2009  |  Profiles & Interviews

Rise Against Stealth-Markets Entertainment as Activismnew

What would a band like Rise Against do without a war or two to bellow about, anyway, or Interscope to sell hardcore all the way into the mainstream? It's entertainment, stealth-marketed to your conscience, but it's nothing that'll ever bring an end to torture.
The Georgia Straight  |  Adrian Mack  |  06-08-2009  |  Profiles & Interviews

Gustav Mahler's Fateful Sixth Can Be Dangerous Worknew

Gustav Mahler, the most neurotically tortured egotist in music, has his fans, God knows, but of his 10 symphonies, the one least infected by Mahler hysteria, is the Sixth. That's because you almost never hear it.
The Georgia Straight  |  Lloyd Dykk  |  06-08-2009  |  Music

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