AltWeeklies Wire

Blame Sally's Intriguing Songs Still Pack a Punchnew

Blame Sally's origins go back nine years, to a point when four Bay Area singer-songwriters channeled already-promising careers into one collective, harmony-drenched effort. Comparisons to classic-era Crosby, Stills, Nash & Young aren't uncommon.
Colorado Springs Independent  |  Bill Forman  |  11-05-2009  |  Profiles & Interviews

Monsters of Folk Offers a Master Class in Supergroup-ismnew

Instead of sounding like a lumpy blend of styles, Monsters of Folk sounds like an album from a new band with four familiar members.
Tucson Weekly  |  Annie Holub  |  11-04-2009  |  Reviews

Mark Knopfler's Latest Solo Album is a Working-Class Paeannew

Knopfler's sixth solo effort is his best in terms of his material, yet it's his weakest fret-board effort.
Tucson Weekly  |  Jarret Keene  |  11-04-2009  |  Reviews

Clap Your Hands Say Yeah Frontman Strikes Out on His Own with 'Mo Beauty'new

While this "solo" debut finds the Clap Your Hands Say Yeah frontman sounding comfortable and more accomplished as a singer-songwriter, the band is so excellent -- flawless, really -- that the album's only weak spots come from Alec Ounsworth himself.
Tucson Weekly  |  Eric Swedlund  |  11-04-2009  |  Reviews

Former Green on Red Guitarist Chuck Prophet Returns with a New Albumnew

Ever since he joined Green on Red 25 years ago, I've wanted to ask singer-songwriter and guitarist Chuck Prophet if he was born with that last name. He set the record straight in an interview last week. "Would I make that up?" he said, in mock offense.
Tucson Weekly  |  Gene Armstrong  |  11-04-2009  |  Profiles & Interviews

Dick Valentine of Electric Six Wants to Put the Fun Back in Rock 'n' Rollnew

As frontman and lyrical/musical force behind the deliciously over-the-top Electric Six, Valentine has been delighting those who get it, and confusing the hell out of everyone else.
East Bay Express  |  Kirsty Evans  |  11-04-2009  |  Profiles & Interviews

The Dutchess and the Duke Break Hearts on Acoustic Stringsnew

Sunset/Sunrise is permeated by a much darker mood than the band's debut, She's the Dutchess, He's the Duke, but the follow-up succeeds by using the same simple arrangements.
SF Weekly  |  Jennifer Maerz  |  11-04-2009  |  Profiles & Interviews

Bop and Swing Give Way to New Percussive Influences in Jazznew

Almost no one disputes the achievements of bebop and swing percussion. The big argument today is whether that's the way jazz drumming has to sound or whether it's just one of the ways jazz drumming can sound.
Baltimore City Paper  |  Geoffrey Himes  |  11-03-2009  |  Music

Resurrecting the Dead Milkmennew

When we heard that the Dead Milkmen were officially back in the picture -- playing shows, making new music -- and blowing it out with a big Halloween bas, we gave frontman Rodney Anonymous a word count and set him free.
Philadelphia City Paper  |  Rodney Anonymous  |  11-03-2009  |  Music

Jazz Singer Claudia Acuna Opens a New Door in Her Charmed Careernew

With her debut for Marsalis Records, she's focused on a personal sound, singing primarily Latin American songs she's known from her youth, plus two originals. Because of its introspective quality, En Este Momento gives up the gifts of its fragrant sensuality only to attentive listening.
Weekly Alibi  |  Mel Minter  |  11-03-2009  |  Profiles & Interviews

The Ponys Ride Againnew

Why did one of Chicago's best-loved garage bands disappear at their peak? And after two years, what's bringing them back?
Chicago Reader  |  Brian Costello  |  11-02-2009  |  Profiles & Interviews

Nirvana: Back in 'Bleach'new

The first Nirvana album was probably the last one you heard, but it marks a critical chapter in Seattle music history. It's worth going back to for a fresh -- or first -- listen, even two decades after the fact and long after grunge was laid to rest.
Seattle Weekly  |  Chris Kornelis  |  11-02-2009  |  Music

The Nurses' 'Apple's Acre' is Instantly Invigoratingnew

On paper, the Nurses' formula sounds a shade of awful: hootenanny percussion, two guys singing in layered high-pitched caterwauls, and plinking pianos topped with synthesizers. But what music ever sounds good on paper?
Tucson Weekly  |  Annie Holub  |  10-29-2009  |  Reviews

The Slits Are Back, Sounding as Uncompromising and Relevant as Evernew

The current Slits sound remarkably like the original Slits, but with fewer rough edges and more instrumental sophistication. On Trapped Animal, The Slits mix poppy, dubby reggae and danceable rock-reggae with articulate but streetwise dreadlocked British feminist ideology.
Tucson Weekly  |  Carl Hanni  |  10-29-2009  |  Reviews

Star and Micey: Legend in the Making?new

Memphis' newest export is Star and Micey, a young three-piece that arrives full-born with its self-titled debut CD.
Tucson Weekly  |  Carl Hanni  |  10-29-2009  |  Reviews

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