AltWeeklies Wire
Chuck Snow & the Lo-Fi Cowboys Go for the Garagenew

There's a video on YouTube that captures Chuck Snow at the now-defunct Deluxe Tavern, singing the Replacements' "Unsatisfied" with his former band, the Autono. What's interesting about it is how Snow totally nails it.
Colorado Springs Independent |
Bill Forman |
12-17-2009 |
Profiles & Interviews
Before the Cheesecake Factory, Arlington Was Home to Storied Punk Residencesnew

Collin Crowe, 26, the guitarist for Buildings, was among the final tenants of Kansas House, a tiny single-family home on the corner of N. Kansas Street and Wilson Boulevard that was among Arlington’s last underground art spaces.
Washington City Paper |
Aaron Leitko |
12-17-2009 |
Music
The Last Frontier: Portugal. The Man Are Like No Othernew
In lieu of resting on the crutch of their regional association, the band turned the calendar pages of 2009 by recording a pair of albums—The Satanic Satanist, their most successful release to date, and American Ghetto, due out next spring.
The Portland Mercury |
Ezra Ace Caraeff |
12-17-2009 |
Profiles & Interviews
Tags: American Ghetto, Portugal. The Man
Team Spirit: Durham's 307 Knox Records Turns Fivenew

Since 2004, the imprint has released 31 records—a compilation full of Bull City bands, full-lengths by Midtown Dickens, The Future Kings of Nowhere and Cantwell, Gomez & Jordan and a series of 7-inch vinyl singles. Meet founder Melissa Thomas.
Year in Review: A Sizable Fleet of North Carolina Bands Found Bigger Audiencesnew
This year, more than any other this decade, the Triangle's local band scene seemed to engender broader support. It was a good year to be, as one excellent local compilation put it, "hearing here," at home.
Marquez! is Ready to Become San Diego's Premier Rock en Espanol Bandnew

For Jared Armijo-Wardle and Cesar Zuñiga to have made it this far seems a fair example of their passion and commitment to the music they play: a lovely and introspective blend of American indie-rock and the regional Mexican music that Cesar Zuñiga grew up listening to.
San Diego CityBeat |
Seth Combs |
12-16-2009 |
Profiles & Interviews
A Legendary New Orleans Rock Club Stars in a Locally Produced Documentarynew
Before the members of the Grateful Dead were so famously arrested by New Orleans police on January 30, 1970, the band — along with Fleetwood Mac and The Flock — christened the opening night of The Warehouse, a bare-bones, 30,000-square-foot music venue on Tchoupitoulas Street.
Eliza Rickman Creates Haunting Melodies with a Big Voice and Tiny Instrumentnew
Eliza Rickman just might be a ghost, or, at the very least, a medium channeling vibes from days of yore. That’s not to say the chanteuse is only slanging rehashed classics in the vein of Madeleine Peyroux, it’s just that there’s a decidedly old-timey, almost spooky, air to what she’s doing.
San Diego CityBeat |
Paul Saitowitz |
12-16-2009 |
Profiles & Interviews
A Review of the Country-rock Mason Dixon Band's Debutnew

Every classic country album needs a sappy romance song, and "Unspoken Promises" delivers it with a slow tempo and whining steel guitar in the background. "Ain't Dead Yet" is the best track because it sounds more like a snippet from life on the road than just another folk diddy.
Charleston City Paper |
Patrick McGinn |
12-16-2009 |
Reviews
She Comes in Colors: Niagara's Tale is Pure Detroitnew

Niagara — the same woman who did time with the late Stooges guitarist Ron Asheton in the universally cultish bands Destroy All Monsters and Dark Carnival — whose drug-fueled, gun-toting, sexually vivid pop art is known the world over.
Metro Times |
Brent Callwood |
12-15-2009 |
Profiles & Interviews
Neo-mod Brit Brats the Arctic Monkeys are Slowing Down, Growing Up and Branching Outnew
A crusty British music scribe whose name I am unable to recall recently theorized that no one likes the Arctic Monkeys—until they actually listen to one of their records. But as soon as they were built up as the saviors of British rock music, they were knocked down.
Montreal Mirror |
Erik Leijon |
12-11-2009 |
Profiles & Interviews
La Strada Feel at Home North of the Border, Cozying Up with New Pals Hey Rosettanew
La Strada's music is the kind usually molded by cold winters and small communities. It's an indie-rock fuelled by group harmonies, violin and cello. La Strada finally made it to Canada earlier this fall, opening up for Cuff the Duke.
The Coast, Halifax's Weekly |
Mike Landry |
12-11-2009 |
Profiles & Interviews
Eric Blowtorch: The Jamaican Connectionnew
A prolific recording artist always willing to share the microphone with guest stars, Eric Blowtorch’s musical endeavors have been more a vocation in the traditional sense than a career. He has reached a new height on his latest album with his band the Welders, The Alphabet.
Shepherd Express |
David Luhrssen |
12-11-2009 |
Profiles & Interviews
An American Primitive Guitarist Looks Back on a Bittersweet Journeynew

In the late '90s, Glenn Jones' band Cul de Sac recorded an album with John Fahey. As a high school student, Jones had become obsessed with the legendary guitarist after his art teacher introduced him to one of Fahey's early albums.
Colorado Springs Independent |
Bill Forman |
12-10-2009 |
Profiles & Interviews
You May Think the Idea of Box Sets is Passé... Until You See These Releasesnew
Given file-sharing and the growing number of digital-download Web sites, both legal and otherwise, owning a bunch of music by one artist on several CDs in a cardboard box (no matter how cool the graphics and extras) is so old-school.
Tucson Weekly |
Gene Armstrong |
12-10-2009 |
Reviews