AltWeeklies Wire

Lighting Upnew

Life for Matt Pond and his chamber-pop ensemble just bounces ahead.
Charleston City Paper  |  Susan Kamenar  |  02-27-2008  |  Profiles & Interviews

Enigmatic Bill Callahan Shifts from Smog to Solonew

After singing and strumming under the curious moniker Smog for nearly two decades, Callahan recently switched to his own name, following the 2005 release of A River Ain't Too Much to Love.
Charleston City Paper  |  T. Ballard Leseman  |  02-20-2008  |  Profiles & Interviews

A VAST Improvementnew

Electro-rockers power down for mellow affair.
Charleston City Paper  |  Chris Haire  |  02-13-2008  |  Profiles & Interviews

Everything Old is New Againnew

Some Enchanted Evening finds Garfunkel covering pop standards, somewhat of a departure from his other work.
Charleston City Paper  |  Andrea Warner  |  02-06-2008  |  Profiles & Interviews

Jojo Knows How To Have a Good Timenew

For piano-playing John "Jojo" Hermann, the Widespread Panic off-season just means an excuse to play front-man and book more intimate venues.
Charleston City Paper  |  Stratton Lawrence  |  01-30-2008  |  Profiles & Interviews

Harmony At First Listennew

Dynamic husband-and-wife country duo shines brightly on American Songwriter Magazine's Winter Tour.
Charleston City Paper  |  T. Ballard Lesemann  |  01-30-2008  |  Profiles & Interviews

Terence Blanchard Leads the Waynew

Using his music to help shed light on the entire Katrina tragedy, the horn player recently wrote and performed the music for director Spike Lee's highly acclaimed HBO documentary, When the Levees Broke. Then Blanchard went a step further by adding to the music used in Lee's film to create the recently released album, A Tale of God's Will (A Requiem for Katrina).
Charleston City Paper  |  Alan Sculley  |  01-30-2008  |  Profiles & Interviews

Coming Up Shortynew

Fame's fickle spotlight eluded Guitar Shorty for a good quarter-century, before rediscovering him the past few years.
Charleston City Paper  |  Chris Parker  |  01-23-2008  |  Profiles & Interviews

Spin Doctors Frontman Seeks to Reconnectnew

The mixed commercial success of the Spin Doctors' recent albums and the band's perpetual love/hate relationship with themselves have influenced Chris Barron to record his first mainstream solo effort, Pancho and the Kid.
Charleston City Paper  |  Josh Eboch  |  01-23-2008  |  Profiles & Interviews

The New Music Collective's New Project is a Strong Effortnew

These aren't tweedy types scoring self-serving masterpieces that will never be heard. The NMC aims to perform its work. In front of people. And those people, some of them devotees of the jam music scene with curious minds and open ears, seem to like it a lot.
Charleston City Paper  |  John Stoehr  |  01-23-2008  |  Profiles & Interviews

Band of Horses Come Homenew

The opening guitar notes and soft cymbal splash creep up on you subtly, before Ben Bridwell's potent, reedy voice alights "Is There a Ghost" with its recurring pronouncement, "I could sleep, I could sleeee-eep."
Charleston City Paper  |  Jeff Clark  |  01-16-2008  |  Profiles & Interviews

The Met Gets a Virtual Outletnew

For well over half a century now, we've been able to catch live radio broadcasts from New York's renowned Metropolitan Opera. But a recent high-tech update of that process has become the buzz of the opera world -- and it could well turn out to be one its saving graces.
Charleston City Paper  |  Lindsay Koob  |  01-09-2008  |  Music

Mike Farris: a Uniquely Redemptive Storynew

"When I'm playing music, it's like prayer," Farris says.
Charleston City Paper  |  T. Ballard Lesemann  |  01-09-2008  |  Profiles & Interviews

Will Hoge: The Man Behind the Curtainsnew

For a guy who's spent two-thirds of each year for the last 10 on the road as a working musician, Will Hoge maintains a refreshing sense of humor about it all.
Charleston City Paper  |  Jon Santiago  |  12-26-2007  |  Profiles & Interviews

Top Albums of 2007new

Includes Galactic, Shannon Whitworth, Lindsay Holler & The Dirty Kids, and more.
Charleston City Paper  |  Staff  |  12-26-2007  |  Music

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