AltWeeklies Wire
Cameron Diaz Once Again Saves the Sex Comedynew
And this time, with Ashton Kutcher.
New York Press |
Armond White |
05-15-2008 |
Reviews
Harmony Korine Unleashes His Zombies on Celebrity Culturenew

Yes, he makes movies about repellent creatures, but his directorial career -- one of the freak occurrences of the '90s -- is also back from the dead.
New York Press |
Armond White |
05-01-2008 |
Reviews
David Mamet Creates a Serious 'Karate Kid'new

But Mamet's self-seriousness stifles Redbelt's cinematic potential.
New York Press |
Armond White |
05-01-2008 |
Reviews
What We Don't Talk About When We Talk About Moviesnew

Taking aim at the critics who write with their thumbs.
New York Press |
Armond White |
04-24-2008 |
Movies
Helen Hunt's Directorial Debut Showcases Her Miserable Sidenew

Although Hunt is best known for her role on a hit sitcom in which she was all smiles, her performance in Then She Found Me suggests that she's most comfortable when she's frowning.
New York Press |
Raphaela Weissman |
04-24-2008 |
Reviews
Trying Out Tribecanew
By blending obscure titles with the work of proven talent, Tribeca provides a resolutely solid collage of the film community's modern state.
New York Press |
Eric Kohn |
04-24-2008 |
Movies
'Roman de Gare': Part Stylish Caprice, Part Masterpiecenew

I can't say that I love all of Roman De Gare, but it is worth reporting that the first half of the film is nearly perfect -- a master's piece.
New York Press |
Armond White |
04-24-2008 |
Reviews
'Standard Operating Procedure' Profiles Abu Ghraib Torturersnew

Errol Morris is more interested in political posturing and special effects than exposing a military disgrace.
New York Press |
Armond White |
04-24-2008 |
Reviews
What David Fincher Hath Wroughtnew
Willem Dafoe goes up against an art-loving serial killer in Anamorph. Struggling artists across the city should take note: Apparently morality is what it takes to succeed in the art business.
New York Press |
Mark Peikert |
04-17-2008 |
Reviews
A Decent Novel Becomes an Indecent Movie that Reaches for Artnew
Evan Rachel Wood as Diana finds herself trapped in a Columbine-style high school massacre, confronting her classmate-gunman in the girls' lavatory. The movie comprises memories and fantasies that flash through her mind's eye.
New York Press |
Armond White |
04-17-2008 |
Reviews
Screenwriter Daniel Taplitz Makes Screwball Comedy Less Screwynew
Working outside of mainstream chick flicks (You've Got Mail), hipster flicks (Before Sunrise) and chump flicks (Knocked Up), Taplitz has pursued questions of attraction and commitment through personal language and neurotic obsession.
New York Press |
Armond White |
04-17-2008 |
Reviews
The 'Super-Size Me' Guy Tries and Fails with a New Docu-gimmicknew
In Where in the World is Osama Bin Laden? Spurlock is a Posse of One tracking the War on Terror's poster boy. Unfortunately for Spurlock, the comedian-on-a-quest schtick has begun to wear thin.
New York Press |
Felicia Feaster |
04-17-2008 |
Reviews
'The Forbidden Kingdom' Brings a Mash of the Titansnew
Jet Li and Jackie Chan partner as heroes in a Hollywood film that respects Hong Kong action cinema.
New York Press |
Armond White |
04-17-2008 |
Reviews
'Young@Heart' Offers More Than a Feel-good Music Documentarynew
A sentimental sing-along? More like in-your-face shock waves, the force of the film actually comes from the contrast between these 70- to 90-year-olds and their musical fare: rock and punk tunes.
New York Press |
Marsha McCreadie |
04-10-2008 |
Reviews
Meryl Streep's Brillance May Go Unnoticednew
Long after her highly praised, highly artificial performances in the 1980s (and her by-default Oscar-nominated parts in the 1990s), she has recently entered her most interesting phase as an actress.
New York Press |
Armond White |
04-10-2008 |
Reviews