AltWeeklies Wire

Total Bullshitnew

Apocalypto is more long-winded than a booze-sloshed tirade.
Dig Boston  |  David Wildman  |  12-06-2006  |  Reviews

Antihero: DiCaprio Just Gets Better

Volatile intrigue abounds in this politicized story about South African arms dealer and diamond smuggler and a former diamond mine captive desperate to reunite with his family.
Maui Time  |  Cole Smithey  |  12-04-2006  |  Reviews

New World Ardor

Gibson captures the simple (500-year-old) story of an intense personal quest in Apocalypto.
Salt Lake City Weekly  |  Scott Renshaw  |  12-02-2006  |  Reviews

Healing With Hopenew

An all-star cast portrays the regular folk wounded by history.
New York Press  |  Armond White  |  11-30-2006  |  Reviews

Boring, Pretentious and Shoddynew

The Brothers Quay should have stuck with puppets.
Dig Boston  |  Chris Braiotta  |  11-29-2006  |  Reviews

'The Fountain' Trips Outnew

Aronofsky tries to live with the divisive impact of his sci-fi tale.
NOW Magazine  |  Barrett Hooper  |  11-28-2006  |  Profiles & Interviews

The Good Fightnew

Wrestling with Angels charts Tony Kushner's art and politics.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  11-24-2006  |  Reviews

Art and Politicsnew

Documentarian Freida Lee Mock presents her subject as a play in three acts, but the academic and fragmented structure obscures the warmth of this playwright.
Austin Chronicle  |  Marrit Ingman  |  11-22-2006  |  Reviews

Robert Altman, 1925-2006new

Altman will be missed, but more importantly, he will be appreciated.
Willamette Week  |  David Walker  |  11-22-2006  |  Movies

'The Fountain' Is Just a Dying Tree

Metaphysical space age imaginings counter the death of a loved one in writer/director Darren Aronofsky's visually stunning yet superficial fantasy.
Maui Time  |  Cole Smithey  |  11-19-2006  |  Reviews

Hungry for Stinknew

Tenacious D's excellent adventures hit the big screen.
L.A. Weekly  |  Dave Shulman  |  11-17-2006  |  Profiles & Interviews

Not So Happy Mealnew

Linklater and Eric Schlosser's noble and worthy film about meat processing and consumption smacks of good-guy agitprop and fails as a character-driven narrative.
Austin Chronicle  |  Marc Savlov  |  11-17-2006  |  Reviews

Dark Day in L.A.new

Estevez remembers when hope was not a four-letter word.
Los Angeles CityBeat  |  Andy Klein  |  11-17-2006  |  Profiles & Interviews

Immortal Purposes

An attempt at epic philosophy falls short in The Fountain.
Salt Lake City Weekly  |  Scott Renshaw  |  11-17-2006  |  Reviews

Get It?new

Nothing's sadder than useless satire.
New York Press  |  Armond White  |  11-16-2006  |  Reviews

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