AltWeeklies Wire

Redux Gets a Fresh Injection From New Director, Studio Spacenew

Redux is breathing. It's not just the gallery installation by Liz Miller that greets you at the door, a delicate, yet somehow aggressive creation of felt, foam, and paper that resembles fire-breathing dragons. It's more to do with the children running to their painting class, with the art that is everywhere, and the artists who are calmly going about their daily work of creation. Redux just might be the heart and heartbeat of Charleston's living art scene, and you can feel it as soon as you step through the door.
Charleston City Paper  |  Elizabeth Pandolfi  |  11-03-2011  |  Profiles & Interviews

A Short History of Pre-Blair Witch Handheld Mockumentariesnew

“Two years later, their footage was found.” That come-on, from the opening titles of The Blair Witch Project (1999), evokes as much anticipation among horror hounds as, “A long time ago in a galaxy far, far away…”
San Antonio Current  |  Charles Cassady Jr.  |  11-03-2011  |  Movies

George Romero Meets National Geographic in The Deadnew

The Dead, which opened October 28 at the Bijou and Santikos Mayan 14, is a unique film in many respects. For starters, it is set in Burkina Faso and Ghana, instead of the usual L.A., New York, or London.
San Antonio Current  |  Enrique Lopetegui  |  11-03-2011  |  Movies

Margin Call elevates financial crisis drama above the blusternew

The 2008 financial collapse was so large in scale, and so unfathomable to most, that it practically begged for Hollywood’s blustery mythmaking.
San Antonio Current  |  Justin Strout  |  11-03-2011  |  Reviews

Johnny Depp Delivers a Tame Origin Story for a Gonzo Legendnew

The Rum Diary, a freewheeling tropical cocktail based on Hunter S. Thompson’s long-unpublished novel of the same name, bears an infectious sense of liberation.
San Antonio Current  |  Justin Strout  |  11-03-2011  |  Reviews

The Director of Independence Day is a Natural Fit for Elizabethan Intriguenew

Director Roland Emmerich’s new film opens and closes at a modern theater. The curtain draws and, before a polite crowd dressed in their Sunday best, a narrator sets the scene.
San Antonio Current  |  Justin Strout  |  11-03-2011  |  Reviews

Like Crazynew

Take these sweet young lovers seriously. Somebody has to.
East Bay Express  |  Kelly Vance  |  11-03-2011  |  Reviews

The Rum Diarynew

Getting to Gonzo.
East Bay Express  |  Kelly Vance  |  11-03-2011  |  Reviews

Conspiracy Theater in Anonymousnew

Anonymous is a hoot for literate moviegoers, a treat for theater geeks, a rag on backstage egotists, and an alternate version of the Elizabethan Age. But I seriously doubt that it is history.
INDY Week  |  Laura Boyes  |  11-02-2011  |  Reviews

The Help May Clean Up Oscar Nightnew

"Sucking the life out of the past and flattening history."
Boise Weekly  |  George Prentice  |  11-02-2011  |  Reviews

Diamond in the Buff: Michelle Williams Embodies Marilyn Monroe

Michelle Williams gives an Oscar-worthy performance as Marilyn Monroe in director Simon Curtis's thoughtful adaptation of diaries by Colin Clark.
City Pulse  |  Cole Smithey  |  10-31-2011  |  Reviews

The Rum Diarynew

Johnny and Hunter do Puerto Rico.
East Bay Express  |  Kelly Vance  |  10-31-2011  |  Reviews

Martha Marcy May Marlenenew

First cult is the deepest.
East Bay Express  |  Kelly Vance  |  10-28-2011  |  Reviews

Zombie Jamboreenew

Thriving in pop culture, the undead take center stage this Halloween.
Boulder Weekly  |  Steve Weishampel  |  10-27-2011  |  Movies

Reasons to Watch the Scariest Films You’ve Never Seennew

Halloween, outside of being the one time of the year you can show up to work dressed like a cat and take out your office aggression through competitive pumpkin carving, affords the opportunity to watch disturbing and/or outright revolting movies and not seem like a sociopath.
San Antonio Current  |  Roberto Ontiveros  |  10-27-2011  |  TV

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