AltWeeklies Wire
'Monsters vs. Aliens' Avoids the Pixar Comparisons by Wallowing in Genre Pleasures
What works about Monsters vs. Aliens is when it is retro in a good way.
Salt Lake City Weekly |
Scott Renshaw |
03-23-2009 |
Reviews
Denver's Channel 2 Drops the Deucenew
Is it possible that Channel 2 president and general manager Dennis Leonard wasn't familiar with the other meaning of "deuce" when he authorized the station's name change? Hardly. Asked if he knew the dirtier designation, Leonard affects a comically exaggerated surfer's voice as he declares, "It's the shit, dude!"
John Malkovich Is Great; the Movie Is Gentlenew
Malkovich's Buck possesses what The Great Buck Howard lacks: the single-minded, lesson-free compulsion to entertain.
Seattle Weekly |
Brian Miller |
03-23-2009 |
Reviews
Nicolas Cage Finds a Way of 'Knowing'new
Nicolas Cage saw parallels between Knowing's relationships and his own family bonds.
The Georgia Straight |
Ian Caddell |
03-23-2009 |
Profiles & Interviews
'12' Examines Masculine Archetypes in Modern Russianew
Beleaguered ideals regarding compassion and freedom from prejudice were the subjects of the Americanski version of 12 Angry Men. Mikhalkov, best known for his 1994 Oscar-winning Burnt by the Sun, is more interested in the philosophical and political elements.
The Georgia Straight |
Ken Eisner |
03-23-2009 |
Reviews
Spy vs. Spy: Tony Gilroy’s 'Duplicity'new
Julia Roberts goes mano a mano with Clive Owen.
L.A. Weekly |
Scott Foundas |
03-20-2009 |
Reviews
'Last House on the Left' Remake Is Horrifying -- Not Necessarily in a Good Waynew
Trying to add sweetness and hope to sludge like this is like pouring a bag of sugar into raw sewage laced with cyanide. It's not going to help.
Tucson Weekly |
Bob Grimm |
03-19-2009 |
Reviews
Grotesque Syndicate: 'Gomorrah'new
You'll learn a thing or two from this bleak, difficult movie about the other Italian mafia.
Tucson Weekly |
James DiGiovanna |
03-19-2009 |
Reviews
Doc Finds the Flaws in North America's Approach to Intellectual Propertynew
A new "open source" documentary is a look at the battle between copyright and "copyleft."
Fast Forward Weekly |
Lindsay Bowman |
03-19-2009 |
Reviews
'I Love You, Man,' But This Movie Sucksnew
The cliched plot and forced comedy of I Love You, Man are better suited to Dane Cook.
Fast Forward Weekly |
Alan Cho |
03-19-2009 |
Reviews
'Pontypool' Director Bruce McDonald Throws His Hat Into the Horror Worldnew
Bruce McDonald has been a fixture on the Canadian indie film scene since the 1989 Toronto International Film Festival. Pontypool is frightening, funny and probably the best thing McDonald's ever done.
Fast Forward Weekly |
Peter Hemminger |
03-19-2009 |
Profiles & Interviews
Paul Rudd Proves He Plays Gay Better Than Anyonenew
Hamburg's formulaic contrivance is an accidental metaphor for Hollywood's sit-com dishonesty.
New York Press |
Armond White |
03-19-2009 |
Reviews
Successfully Immigrating to America Is No Match for the Smoldering Edgar Floresnew
Unfortunately, other than some gorgeous scenery, a young girl's stupidity is the only thing that feels truly fresh in Fukunaga's debut feature, which won the directing award at the 2009 Sundance Festival.
New York Press |
Mark Peikert |
03-19-2009 |
Reviews
A New Film Imagines Vietnam If Kennedy Had Livednew
A new documentary makes the case that Kennedy's nonconfrontational tactics on the world stage during his presidency would surely have carried over to preventing that "quagmire" known here as the Vietnam War (and over there as "the American War"). Had he lived, of course.
San Francisco Bay Guardian |
Dennis Harvey |
03-18-2009 |
Reviews
What Does a 'Dick Flick' Like 'I Love You, Man' Tell Us About Modern Masculinity?
We're getting closer to learning something interesting about what guys need from other guys, but the sociologists won't be gleaning more from this effort than a few chuckles. There's more bro-vado here than bro-mance.
Salt Lake City Weekly |
Scott Renshaw |
03-17-2009 |
Reviews
