AltWeeklies Wire

With its Fourth Album, Story of the Year Stays the Coursenew

Four albums into its career, the St. Louis quintet continues to defy critics – and resist pigeonholing. Exhibit A: The Constant, the band's second LP for Epitaph Records and fourth album overall, which it recorded last summer with producer Elvis Baskette
Riverfront Times  |  Annie Zaleski  |  02-19-2010  |  Reviews

Pokey LaFarge Forges His Own Path Through Old-Time Country and Bluesnew

The question isn't how Pokey LaFarge, a 26-year-old, guitar-plucking blues singer — who was born in Benton, Illinois, and is now based in St. Louis — got to Florida. That's easy: Love and Interstates 10 and 75 took him there.
Riverfront Times  |  Roy Kasten  |  02-19-2010  |  Reviews

R.E.M. Hurtles Toward the Future on 'Accelerate'new

At what point in a band's career is it impossible to evaluate its new album without referencing its back catalog?
Riverfront Times  |  Annie Zaleski  |  04-04-2008  |  Reviews

Kick Out the (Holiday) Jamsnew

Here are 10 holiday releases to deck your halls.
Riverfront Times  |  Christian Schaeffer  |  12-14-2007  |  Reviews

The Brits Are Alrightnew

With a new four-CD retrospective The Brit Box, Rhino Records captures the agony and ecstasy of the golden age of Modern English rock.
Riverfront Times  |  Annie Zaleski  |  11-26-2007  |  Reviews

PJ Harvey Bewitches with 'White Chalk'new

Harvey's new studio album often feels like a sequel to Björk's Vespertine.
Riverfront Times  |  Annie Zaleski  |  10-10-2007  |  Reviews

A Disappointing Third Albumnew

Lavigne's attempts to embrace her girly side (a move for which the ex-Sk8er Girl has received much flak) mistake empowerment for helplessness.
Riverfront Times  |  Annie Zaleski  |  04-20-2007  |  Reviews

The Arcade Fire Explore the Intricacies of Religionnew

The Montreal orchestra geeks' Neon Bible is a worthy follow-up to 2004's Funeral.
Riverfront Times  |  Annie Zaleski  |  03-02-2007  |  Reviews

More Diverse, Shockingly Danceablenew

Despite even thicker coats of studio gloss painted over songs, High contains catchier hooks, bigger choruses and more vocal histrionics than a MySpace flame war.
Riverfront Times  |  Annie Zaleski  |  02-12-2007  |  Reviews

Nible Genre-Skippingnew

Stefani finally sounds comfortable enough in her pop-chameleon skin to rely on songcraft over shtick.
Riverfront Times  |  Annie Zaleski  |  12-15-2006  |  Reviews

Baroque and Brokenew

This high-spirited re-creation of a 1974 album by the criminally underworshipped Harry Nilsson is the band's best work since their 2002 debut.
Riverfront Times  |  Jason Harper  |  12-11-2006  |  Reviews

Heart-Fluttering Beautynew

The Church sound absolutely nothing like any other band playing today; thankfully, neither does Clouds.
Riverfront Times  |  Annie Zaleski  |  05-26-2006  |  Reviews

Find the Rivernew

Bill Callahan discovers new sounds and voices -- and cleans up with Chloe Sevigny -- on Smog's latest album.
Riverfront Times  |  Randall Roberts  |  08-01-2005  |  Reviews

Here & Queernew

Rufus Wainwright has released the gayest album this side of Turbonegro's "Ass Cobra," and it couldn't come at a better time.
Riverfront Times  |  Mike Seely  |  11-11-2004  |  Reviews

The Philibusternew

While flimsy and overwrought, this Collins retrospective provides for the introduction of a great new karaoke game to the world: the Philibuster. Nothing can be sung except Phil Collins songs, and the singer cannot pick any of his or her own titles.
Riverfront Times  |  Mike Seely  |  10-06-2004  |  Reviews

Narrow Search

Publication

Category

Narrow by Date

  • Last 7 Days
  • Last 30 Days
  • Select a Date Range