AltWeeklies Wire

PJ Harvey's 'Let England Shake'new

In title and content alike, Let England Shake trembles with fair measures of arrogance, doomsaying, and felicity: it dares to assign itself a not inconsiderable degree of impact, to declare a state of emergency, to be lithe and elastic enough to enliven a senior center mixer.
San Antonio Current  |  Ray Cummings  |  02-18-2011  |  Reviews

A Thing of Dark Beautynew

White Chalk is all piano and sharp lyrical fusillades.
Creative Loafing (Atlanta)  |  Mosi Reeves  |  11-08-2007  |  Reviews

PJ Harvey Bewitches with 'White Chalk'new

Harvey's new studio album often feels like a sequel to Björk's Vespertine.
Riverfront Times  |  Annie Zaleski  |  10-10-2007  |  Reviews

PJ Harvey Swaps Bluesy Guitar for a Tack Pianonew

White Chalk will be a disappointment to many Harvey fans, because it dispenses with electric guitar, bluesy aggression, and the kind of sexually assertive body music that marked career highlights such as Stories From the City, Stories From the Sea and Rid of Me.
San Antonio Current  |  Gilbert Garcia  |  10-10-2007  |  Reviews

Larger Than Lifenew

Her voice, her beautiful wreck of a voice, transforms her songs into something greater than the sum of their parts. Marianne Faithfull has found her final Frankenstein, and it's perfect.
Illinois Times  |  René Spencer Saller  |  02-05-2005  |  Reviews

Breakfast With Tiffanynew

Singer-songwriter Tiffany Anders, the 34-year-old daughter of independent filmmaker Allison Anders, says most writers imply that her mother’s media-darling status is responsible for her own folk-music career, a point she insists is not correct.
L.A. Weekly  |  Seven McDonald  |  09-20-2004  |  Profiles & Interviews

PJ Harvey's Newest Proves She's Still the Queen

Four years after PJ Harvey illustrated Stories From the City, Stories From the Sea, her voice growls with unbelievable ferocity and passion with Uh Huh Her.
Austin Chronicle  |  Darcie Stevens  |  07-23-2004  |  Reviews

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