AltWeeklies Wire

When Tristan Prettyman Get So Popular?new

a) Who is this chick? b) Why is she suddenly so insanely popular? c) Why do I have no idea who she is? d) Why does this unfamiliarity make me feel so inadequate?
Philadelphia Weekly  |  Caralyn Green  |  05-05-2008  |  Reviews

Dizzee Rascal Returns to His Promising Startnew

Maths + English has its flaws -- focusing a little too much, yes, on how much cred Rascal has (or should be seen as having) -- but it mostly serves as a resounding return to form for an oddly voiced rapper.
Dallas Observer  |  Pete Freedman  |  05-05-2008  |  Reviews

Portishead is Back and More Depressing than Evernew

As a minimalist distillation of the emotional judo that's the band's specialty, Third is an undeniable coup. Beth Gibbons and company have graduated to a new sophistication, conveying with tiny gestures and rough stabs what used to take them long builds and whole songs.
Chicago Reader  |  Brian Nemtusak  |  05-05-2008  |  Reviews

Handmadenew

Yeltsin is still the tight as sardines band that they've always been; they just rock a little harder now.
Eugene Weekly  |  Jeremy Ohmes  |  05-02-2008  |  Reviews

Colin Meloy Tries His Hand, Er, Voice at Sam Cookenew

The EP is very Colin Meloy, which is exactly why it doesn't really work.
Willamette Week  |  Amy McCullogh  |  05-01-2008  |  Reviews

Matmos Has Intellectualized its Art to Perfectionnew

What makes Supreme Balloon interesting is that it doesn't sound like a bunch of synths being played by two guys. It sounds like a pirate radio broadcast from a hipster alien art collective, or Sigur Ros shot into the future and brought back to the present to teach us about technology.
Santa Fe Reporter  |  Patricia Sauthoff  |  05-01-2008  |  Reviews

Music to the Extremenew

Otep's growling third album dances along the knife-blade edge of metalcore and pop, without descending into glammy hair metal.
Tucson Weekly  |  Gene Armstrong  |  05-01-2008  |  Reviews

Tinker and Playnew

Rather than expanding on the syrupy, big sound the Breeders do so well, on Mountain Battles, they stay in a noncommittal, midtempo zone that fails to engage
Tucson Weekly  |  Sean Bottai  |  05-01-2008  |  Reviews

Prepared to Take on All Comersnew

On their second album, the formerly jittery, casual rockers have abandoned some of their tossed-off charm and replaced it with a dire, roaring sound that suits them.
Tucson Weekly  |  Michael Petitti  |  05-01-2008  |  Reviews

Blowing Trees Goes Grandiosenew

They set the bar for themselves pretty high, and on their debut release for the New York-based Glassnote Records, they achieve their objective more often than not.
San Antonio Current  |  Gilbert Garcia  |  04-30-2008  |  Reviews

Portishead Forgets Everything It Knows About Dreadnew

Third feels like an exploratory exercise and a reintroduction rolled into a somewhat flat, frowny package, wrapped in rough burlap. In 2001 or '02 it might have registered as a rudderless junior slump; in 2008, it's just lame.
Baltimore City Paper  |  Raymond Cummings  |  04-29-2008  |  Reviews

Is Monotonix the Best Live Band?new

Though a studio recording, Monotonix's Drag City debut EP Body Language is best appreciated as a memento of the delirious tumult this band puts on live.
Houston Press  |  John Nova Lomax  |  04-29-2008  |  Reviews

Does It Offen You, Yeah? Offers Dance Punk Blueprintnew

In a market full of electro-dance outfits, Does It Offend You, Yeah? finds a way to keep it fresh.
Dallas Observer  |  Pete Freedman  |  04-28-2008  |  Reviews

Murder by Deathnew

By the light of the moon…I’m comin’ home. Howlin’ all the way…I’m comin’ home. - So begins Red of Tooth and Claw, the latest neo-noir/Peckinpah-soaked/ baroque spaghetti western mini-epic from Indiana’s Murder by Death. Though I feel compelled to admit that I swiped this thing from my editor’s desk primarily due to my all-too-obvious affection for the 1976 murder mystery farce (starring Peter Sellers and Maggie Smith, among others) of the same name, I was nearly as enthused regarding the subtle buzz that the group has been generating since early in the decade as a surprisingly literary alt-country goth outfit. Seriously… think REALLY-early-Bad Seeds Nick Cave in a head-hanging contest with the entirety of the Cure in a frontier-boom saloon. And Tom Waits slumps in the corner, drunkenly lighting a cigar with his own kerosene-soaked pinkie.
Metro Spirit  |  Jason Sumerau  |  04-27-2008  |  Reviews

The Breeders Make a New Splashnew

The box-office returns of the Pixies reunion apparently roused the sleeping ambition of bassist and Breeders mastermind Kim Deal.
The Memphis Flyer  |  Werner Trieschmann  |  04-25-2008  |  Reviews

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