AltWeeklies Wire

The Man Behind B. Hamiltonnew

Ryan Christopher Parks is a sane, sensitive guy. But you'd never know.
East Bay Express  |  Rachel Swan  |  11-10-2011  |  Profiles & Interviews

Bryan Hamilton's Trials with Modernitynew

Producer Bryan Hamilton sleeps on the floor. He has no job and only a few months left in his unemployment benefits. But he's optimistic.
San Antonio Current  |  Adam Villela Coronado  |  11-10-2011  |  Profiles & Interviews

Fanged and De-twangednew

Deer Tick struggles to escape its indie-folk stereotype
Colorado Springs Independent  |  Alan Sculley  |  11-10-2011  |  Profiles & Interviews

Denver Diasporanew

Former DeVotchKa and 16 Horsepower member Paul Fonfara gets a chance to branch out with Painted Saints
Colorado Springs Independent  |  Chris Parker  |  11-10-2011  |  Profiles & Interviews

Keller Williams Makes a Two-Night, One-Man Standnew

At this week's two-night stint at the Pour House, acclaimed singer/guitarist Keller Williams will play a little bit of everything.
Charleston City Paper  |  Stratton Lawrence  |  11-03-2011  |  Profiles & Interviews

Everybody Loves Our Town Goes Behind the Grimenew

With all of the buzz surrounding the 20th anniversary of Nirvana's breakthrough album Nevermind and Pearl Jam's chart-topping debut Ten, it's cool to have an additional perspective to balance the story of the two bands' rise. Everybody Loves Our Town: An Oral History of Grunge, released this fall via Crown/Archetype, provides a hefty companion to those re-releases.
Charleston City Paper  |  T. Ballard Lesemann  |  11-03-2011  |  Profiles & Interviews

The New Terrordome: Why Public Enemy Still Mattersnew

Things have cooled somewhat for Public Enemy, the self-proclaimed “Prophets of Rage.” They made five albums post-2000, all of which failed to match the impact of their first turn-of-the-’90s dynasty.
San Antonio Current  |  Adam Villela Coronado  |  11-03-2011  |  Profiles & Interviews

The Gospel According to Kirk Franklinnew

I know, I know. The Christian music scene has made great advancements in the area of production, the religious albums sound great and now go toe-to-toe with the seculars, and blah blah blah.
San Antonio Current  |  Enrique Lopetegui  |  11-03-2011  |  Profiles & Interviews

The Swiss Bluegrass of North Carolina's Kruger Brothersnew

The Kruger Brothers perform progressively minded, classically conscious folk that's rooted in American tradition but flairs wildly with disparate influences.
INDY Week  |  Spencer Griffith  |  11-03-2011  |  Profiles & Interviews

Occupy Hip-Hopnew

Murs on police, politics and the culture of greed
Colorado Springs Independent  |  Bill Forman  |  11-03-2011  |  Profiles & Interviews

Post-Pedronew

David Bazan buries the Lion and re-examines his faith
Colorado Springs Independent  |  Chris Parker  |  11-03-2011  |  Profiles & Interviews

Late for the Skynew

Dawes wakes up to a bygone Laurel Canyon sound
Colorado Springs Independent  |  Tom Lanham  |  11-03-2011  |  Profiles & Interviews

All Deserts Togethernew

Born in strife, North Africa's Tinariwen brings a positive and joyful message through its music
Tucson Weekly  |  Gene Armstrong  |  11-03-2011  |  Profiles & Interviews

Copeland’s Timenew

The 41-year-old Fort Worthian’s excellent new album could be a national debut.
Fort Worth Weekly  |  Anthony Mariani  |  11-02-2011  |  Profiles & Interviews

Public Enemy’s Chuck D — Still Angry After 24 Yearsnew

Anytime I receive a second-rate demo by a third-rate rapper, my first reaction is to grab him by the throat and ask, “Have you heard about Mandela? Have you read Malcolm X? Have you ever listened to Public Enemy?”
San Antonio Current  |  Enrique Lopetegui  |  11-02-2011  |  Profiles & Interviews

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