AltWeeklies Wire

Jimmy Eat World: The Past is Historynew

While Chase This Light may not be the band's most inspiring work, there is something comforting in the simplicity and earnestness with which the band members, some 15 years after their start, still approach their craft.
Shepherd Express  |  Michael Carriere  |  12-14-2007  |  Profiles & Interviews

The Place Where He Belongsnew

Daughtry enjoys plenty of success in post-Idol life.
Creative Loafing (Charlotte)  |  Jeff Hahne  |  12-14-2007  |  Profiles & Interviews

Rawest Rushnew

Chitlin-circuit R&B king Bobby Rush takes a detour.
NOW Magazine  |  Time Perlich  |  12-14-2007  |  Profiles & Interviews

Disco Love Affairnew

Andy Butler connects the classics with contemporary club sounds.
NOW Magazine  |  Benjamin Boles  |  12-14-2007  |  Profiles & Interviews

A Music Journalist Remembers the Old Dewey Coxnew

Cox clocked me and then I puked.
L.A. Weekly  |  Randall Roberts  |  12-14-2007  |  Profiles & Interviews

MC Lars' Star Tracknew

The already ambitious MC further expands his sound.
Monterey County Weekly  |  Stuart Thornton  |  12-14-2007  |  Profiles & Interviews

Son of a Preacher Mannew

Thorn's albums are grounded by gravelly blues vocals, experimenting with country, rock 'n' roll, blues and gospel.
Jackson Free Press  |  Lindsey Maddox  |  12-13-2007  |  Profiles & Interviews

Elegant Minimalismnew

Music-nerd trio Antelope offer stripped-down "meditative punk."
Tucson Weekly  |  Gene Armstrong  |  12-13-2007  |  Profiles & Interviews

A Moment with This Moment in Black Historynew

It's easy to assume that a band name like This Moment in Black History is the work of a few trust-funded white hipster kids, tongues firmly planted in their cheeks, fishing for some desperately craved attention. They aren't.
The Portland Mercury  |  Ezra Ace Caraeff  |  12-13-2007  |  Profiles & Interviews

The Soda Pop Kids' Perfect Popnew

The Kids aren't a party band; the Kids are a party.
The Portland Mercury  |  Viva Las Vegas  |  12-13-2007  |  Profiles & Interviews

Skeleton Key is Machine-Madenew

Erik Sanko explains the way he (literally) sees the band's sound.
New York Press  |  Saby Reyes-Kulkarni  |  12-13-2007  |  Profiles & Interviews

Yeasayer Blends Influencesnew

All Hour Cymbals is a direct descendant of Brian Eno and David Byrne's collaborations and stands alongside Animal Collective and Gang Gang Dance's experimental work. Written in the wake of the second Bush election, it features Middle Eastern strings, African drums, complex harmonies and some very bleak lyrics.
New York Press  |  Elizabeth Rhodes  |  12-13-2007  |  Profiles & Interviews

When Assets Become Liabilitiesnew

Athens-bred model's ample figure generates fame and flack in rap.
Creative Loafing (Atlanta)  |  Ben Westhoff  |  12-13-2007  |  Profiles & Interviews

Squidbilly Troubadournew

He put the "hick" in hickey, but country vampire's bark is worse than his bite.
Creative Loafing (Atlanta)  |  Grant Britt  |  12-13-2007  |  Profiles & Interviews

DJ Assault is Strictly Bootynew

Regardless of what it's called, Assault's high-energy style, which mixes elements of Detroit and Chicago techno, Miami booty bass and the sex rhymes of acts like 2 Live Crew and Too $hort, lands him in about 100 different DJ booths across the globe each year.
Dig Boston  |  Dave Wedge  |  12-13-2007  |  Profiles & Interviews

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