AltWeeklies Wire

No Betta Ettanew

Beyonce sang "Survivor," but she'd have a tough time personifying Ms. James.
Colorado Springs Independent  |  Terry Terrones  |  04-01-2008  |  Profiles & Interviews

David Brewis Goes for Baroque with School of Languagenew

More raw and rocky than Field Music, School of Language's melodies are sweet, but more distorted, with jagged guitar riffs dashing across blatty bass and crashing, compressed-sounding drums.
The Pitch  |  Jason Harper  |  04-01-2008  |  Profiles & Interviews

Houston's Matt Clark Strums for New Orleans' Glen David Andrewsnew

How a white kid from upper-crust Houston found his calling in New Orleans in funky joints like the Candlelight Lounge, a landmark bar in New Orleans's fabled jazz nexus, the Tremé neighborhood.
Houston Press  |  John Nova Lomax  |  04-01-2008  |  Profiles & Interviews

Dusting off Dusty Springfieldnew

From Lesley Gore to Amy Winehouse, female singers wanting to open the throttle on romantic need and desire have inevitably borrowed more than a little from Springfield -- especially if they were white women who loved black R&B.
Baltimore City Paper  |  Geoffrey Himes  |  04-01-2008  |  Profiles & Interviews

Why American Mars Won't Let Gonew

"You'd hope for someone to grab you by the shoulders and go, 'It's time to put this thing to bed,'" says frontman Thomas Trimble. "But the only people I'd trust to tell me that are the others who are in this band, and they're as deluded as I am in their unwillingness to give in or move on to other things."
Metro Times  |  Chris Parker  |  04-01-2008  |  Profiles & Interviews

The Fuzzy Sound Collage of Beatrix*JARnew

What sets Beatrix*JAR apart from these various media manipulators is its particular method of music generation.
Pittsburgh City Paper  |  Manny Theiner  |  03-31-2008  |  Profiles & Interviews

Howlin Rain Offers Fresh Take on '70s American Guitar Rocknew

"We might use methods that are from a different era," says Ethan Miller, the band's singer/guitarist. "There are no sampled beats, no sharp, Pro Tools-y sounds, but I don't think that makes the band sound old."
Pittsburgh City Paper  |  Andy Mulkerin  |  03-31-2008  |  Profiles & Interviews

Iron Mic Collective Creates a New Memphis Soundnew

Iron Mic's vitality comes in representing a considerable, mostly silent slice of the city's African-American hip-hop audience: people who don't relate to Three 6 Mafia or Project Pat or Yo Gotti and never thought there'd be Memphis-bred hip-hop for them.
The Memphis Flyer  |  Chris Herrington  |  03-31-2008  |  Profiles & Interviews

Jill Scott: Neo-soul's Deserving Standard-bearernew

Philly soulster and Roots protegee Jill Scott has become the scene's true standard-bearer. She's the genre's reigning poet laureate -- a strong, precise lyricist in a genre without many.
The Memphis Flyer  |  Chris Herrington  |  03-31-2008  |  Profiles & Interviews

Low: The Notoriously Quiet Band Sharpens Its Teethnew

For more than a decade, snickering naysayers dismissed the Wrath of Low as a novelty: a slowcore group fronted by a harmonizing husband and wife that often perform for cult-like, seated audiences.
Shepherd Express  |  Evan Rytlewski  |  03-28-2008  |  Profiles & Interviews

Ministry Done With Preachingnew

No one ever accused Al Jourgensen of keeping his opinions to himself. Whether the topic is American politics, the soul-sucking vortex that is the music industry, or the NHL, the Ministry founder invariably has something to say.
The Georgia Straight  |  John Lucas  |  03-28-2008  |  Profiles & Interviews

Against Me! Makes Like Modern-Day Clashnew

Against Me!'s Tom Gabel is honest enough to admit that, despite Against Me!'s best intentions, his band probably doesn't matter as much today as it might have 20 years ago.
The Georgia Straight  |  Mike Usinger  |  03-28-2008  |  Profiles & Interviews

DJ Kazell Helped Put L.A. on House International Mapnew

That DJ Kazell has become one of America's great spinners is no joke: True DJ fans appreciate the extra work and skill that goes into opening and sustaining a big night, including setting the mood, modulating energy, and handing off the baton off to the next spinner with aplomb.
Los Angeles CityBeat  |  Dennis Romero  |  03-28-2008  |  Profiles & Interviews

Cadence Weapon Raps With Breakneck Flownew

Ordinary rappers rarely try to distance themselves from party funk, and even more rarely try to align themselves with cerebral electronica. But 22-year-old Cadence Weapon is no ordinary rapper.
Los Angeles CityBeat  |  Greg Katz  |  03-28-2008  |  Profiles & Interviews

Success Remains the Best Revengenew

Junkie XL remains a music-industry iconoclast, having pushed beyond accepted practices of marketing and distribution well before Internet downloads hobbled the major-label machine.
Los Angeles CityBeat  |  Matt Diehl  |  03-28-2008  |  Profiles & Interviews

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