AltWeeklies Wire
Michael Bay Pimps His Transformers Ridenew
The sequel to 2007's Transformers is measurably better, simply by virtue of its utter commitment to spectacle.
Willamette Week |
Aaron Mesh |
06-24-2009 |
Reviews
'Treeless Mountain' is an Exception to the Sentimental Rulenew
Korean-American director So Yong Kim's semi-autobiographical film has a premise especially ripe for mawkishness. But it evades schmaltz, in no small part because the Korean actresses themselves are so resolutely dry-eyed.
Willamette Week |
Aaron Mesh |
06-17-2009 |
Reviews
Tags: So Yong Kim, Treeless Mountain
Post-'Multiplicity' Michael Keaton: Sadder, Wisernew
The Merry Gentleman is nearly an excellent three-way character study of isolation and regret within the confines of a muted crime plot. But Keaton, as superb as he is with actors (most likely owing to his being an underrated actor himself), doesn't have the directorial delicacy to balance it.
Willamette Week |
Alex Peterson |
06-17-2009 |
Reviews
Zach Galifianakis Is the Best Bro at a Memorable Bachelor Partynew
The Hangover's plot sounds disturbingly like quintessential bro cinema. Only something funny happens on the way to a routine Hollywood man-comedy: Phillips gives a comedic genius his first big break and rediscovers the lost art of screwball.
Willamette Week |
Casey Jarman |
06-03-2009 |
Reviews
The Limits of Tolerating Jim Jarmuschnew
The Limits of Control is an enormously irritating movie. It is a puzzle box that contains no hints about life, only references back to other surrealist artworks and Jarmusch's own films.
Willamette Week |
Aaron Mesh |
05-13-2009 |
Reviews
The Heroic Optimism of Anvilnew
It has been a long, strange trip for Anvil, but the trajectory has been smoothly downward. As Anvil! The Story of Anvil trails Anvil through an increasingly dire European tour, what distinguishes the film is Sacha Gervasi's palpable affection for her subjects, and her subjects' awareness of themselves.
Willamette Week |
Aaron Mesh |
04-22-2009 |
Reviews
Greg Mottola Remembers the Mysteries of Pittsburghnew
When it's not sidetracked by clowning, Adventureland is finely observed. Its tranquil, forgiving vibe exactly captures how someone who came of age in 1987 Pittsburgh would prefer to remember it. Which is also the movie's problem.
Willamette Week |
Aaron Mesh |
04-01-2009 |
Reviews
A Damning Look at Watts Goin' Onnew
Hand wringing about the rise of gang activity traditionally combines equal parts racial panic and blame deflection. What marks director Stacy Peralta’s turf is his dedication to undermining these reflexes.
Willamette Week |
Aaron Mesh |
03-11-2009 |
Reviews
'Gomorrah' Recognizes the Mob for What It Is: A Quiet Scourgenew
The real-life Neapolitan crime organization, known as the Camorra, is depicted here as a hovering presence above the locals, dropping down into ordinary lives only as sudden flashes of death, but otherwise reigning from above, its fearsome presence unseen but influencing every action.
Willamette Week |
Andy Davis |
02-25-2009 |
Reviews
Biopic 'Notorious' Has Biggie-Sized Moral Lessonsnew
It's not acting that makes Notorious a miss. It's that the plot lines are convoluted, the genre's cliches are in full effect (from audio flashbacks to magazine-cover montages), and the whole thing screams both "Too soon!" and "Too innocent!"
Willamette Week |
Casey Jarman |
01-14-2009 |
Reviews
'Seven Pounds' is Agonizing, Incessant and Impervious to Ironynew
Will Smith continues in the vein of his last three movies by maintaining a clenched, anguished, clotted expression on his face. He has completed his transfiguration into the Fresh Prince of Airlessness.
Willamette Week |
Aaron Mesh |
12-17-2008 |
Reviews
'The Day The Earth Stood Still' is Remote and Affectlessnew
Something's not right when a movie made in the aughts is cheesier than the 1950s movie it's a remake of, a movie famous for its iconic image of a Jiffy-Pop-style flying saucer settling down on the Mall in D.C. so that an alien named Klaatu can deliver a message to mankind.
Willamette Week |
Andy Davis |
12-10-2008 |
Reviews
'The Auteur' Bridges the Divide Between Porn and Comedynew
The central joke of The Auteur is the same one riffed on in Zack and Miri Make a Porno -- the absurd unsexiness of having sex on camera, made worse by the titles. I wouldn't be surprised to learn that both movies were directly inspired by the college-dorm game of making up the most ridiculous porn titles.
Willamette Week |
Aaron Mesh |
12-03-2008 |
Reviews
'Ballast': The Weight of Death in the Mississippi Deltanew
Ballast is the first film from director Lance Hammer, and it would be easy to call it one of those movies where "nothing happens," except that a lot happens -- a shooting, a car chase, several beatings. These things just happen very quietly.
Willamette Week |
Aaron Mesh |
12-03-2008 |
Reviews
Tween Swedish Vampires Have Tiny Fangs & Big Feelings in 'Let the Right One In'new
Don't be fooled by the film's gruesome premise. While there is a bloodlust, Let the Right One In is a story of love and finding oneself that evokes About a Boy as frequently as it does Anne Rice.
Willamette Week |
Ap Kryza |
11-12-2008 |
Reviews
