AltWeeklies Wire

'Pride and Glory': When Good Cop Movies Go Badnew

The film is so dark, tonally as well as visually, the entire affair looks like it was shot during a solar eclipse. In other words, it looks and feels right. But something is off. Mostly, it's the script.
Weekly Alibi  |  Devin D. O'Leary  |  10-28-2008  |  Reviews

Middle-Aged ABBA Musical Not Quite as Cringetastic as Those Words Implynew

1994's Muriel's Wedding used the title character’s obsession with the '70s Swedish quartet's glittery lady-music to underscore Muriel's disconnected idealization of romance, glamour and marriage-centered happiness, an obsession that leaves her struggling to construct a true sense of self. Mamma Mia!, on the other hand, features ABBA as a way to ... sing along to ABBA songs. And dance.
Weekly Alibi  |  Erin Adair-Hodges  |  07-29-2008  |  Reviews

Religion and Power Collide in 'Constantine's Sword'new

The film looks at several historical examples of a fused church and state and documents the marginalization, oppression and death such a merging produces--often in Christianity’s name.
Weekly Alibi  |  Simon McCormack  |  07-22-2008  |  Reviews

Isn't It Funny When 'Smart People' Do Stupid Things?new

On the surface of their new film, first-time filmmakers Mark Poirier and Noam Murro are in danger of stepping into all the cliche pitfalls of the genre. Fortunately, an intelligent script and a fine cast conspire to make this a sharper-than-average slice of indie satire.
Weekly Alibi  |  Devin D. O'Leary  |  04-15-2008  |  Reviews

'Under the Same Moon' Puts a Cute Lil' Face to Illegal Immigrationnew

It's fairly safe to say that this film was not made by right-wing-radio-listening, border-fence-building members of the Minuteman Project.
Weekly Alibi  |  Devin D. O'Leary  |  03-25-2008  |  Reviews

'Over Her Dead Body' is Dead on Arrivalnew

The best thing about this new supernatural rom-com is the title, which allows for plenty of creative interpretation. For example: Under what circumstances should you see this film?
Weekly Alibi  |  Devin D. O'Leary  |  02-12-2008  |  Reviews

Corn-based Doc Unearths America’s No. 1 Cropnew

Without calls to action or divisive language, this artistic little piece of investigative journalism explores the hand-in-hand transformation of corn and the American food supply.
Weekly Alibi  |  Jessica Cassyle Carr  |  12-18-2007  |  Reviews

Guy Maddin Doses Audiences with Another Mad Vision of Yesteryearnew

Experimental fantasist Maddin continues his somewhat prolific career of weirdness with Brand Upon the Brain!, a curiously anachronistic horror-mystery the filmmaker describes as "semi-autobiographical."
Weekly Alibi  |  Devin D. O’Leary  |  12-11-2007  |  Reviews

'Martian Child': Real, Earnest and Phonynew

Now, I'm the first person to champion the cause of nonconformity, but Martian Child does something very dangerous with its weirdness: It commodifies it.
Weekly Alibi  |  Devin D. O’Leary  |  11-06-2007  |  Reviews

'Hatchet' Brings Back Blood-and-Boobs Filmmakingnew

Despite the fact that assorted sun-deprived internet bloggers are dubbing writer/director Adam Green the savior of modern horror, it should be noted right up front that Hatchet isn't clever, smart, original, particularly well-made or all that convincingly acted.
Weekly Alibi  |  Devin D. O'Leary  |  09-11-2007  |  Reviews

Olivier Dahan Steers Clear of Cliches in 'La Vie En Rose'new

The writer/director cracks famed French songbird Edith Piaf's life apart like a frozen chocolate bar and serves it up in disjointed shards.
Weekly Alibi  |  Devin D. O’Leary  |  09-04-2007  |  Reviews

Can Leonardo DiCaprio Make Ecology Sexy?new

Leo boosts The 11th Hour with his star power, but the environmental film seems like it's preaching to the converted.
Weekly Alibi  |  Devin D. O’Leary  |  09-04-2007  |  Reviews

'Becoming Jane': Austen Transformednew

The film boils all of Austen's various pen-and-ink plots down to their cliche essence and crams them into a single overly familiar narrative.
Weekly Alibi  |  Devin D. O'Leary  |  08-14-2007  |  Reviews

Rescue Dawnnew

Werner Herzog puts his actors through hell, with heavenly results
Weekly Alibi  |  Devin D. O’Leary  |  07-31-2007  |  Reviews

A Feast for the Modern Imaginationnew

Apt documentary takes a look at one of the odder, more tragic places in America.
Weekly Alibi  |  Jessica Cassyle Carr  |  06-19-2007  |  Reviews

Narrow Search

Publication

Category

Narrow by Date

  • Last 7 Days
  • Last 30 Days
  • Select a Date Range