AltWeeklies Wire

Gaming the Viewernew

Why would you want to watch a film about a couple and their young son held prisoner and tortured by a pair of bullying psychopaths?
Artvoice  |  M. Faust  |  03-14-2008  |  Reviews

Let's Hope Real Comedy Comes into Playnew

You know how most DVDs come with extra features about the making of movie, interviews with the stars and the director, and whatever else was captured on film that fans might find moderately interesting? They seem to have got it backward here.
Artvoice  |  M. Faust  |  02-08-2008  |  Reviews

Did Romance Exist Before Movies?new

Hollywood perfected it with sophisticated women and beautiful men trading witty dialogue while overcoming artificial obstacles to the kind of rapturous love that only had to last until the words "The End" left us to imagine that they could keep it up for the ensuing lifetimes.
Artvoice  |  M. Faust  |  02-08-2008  |  Reviews

The Art of Lyingnew

Much of the critical response to the film adaptation of Ian McEwan's novel, Atonement, has focused on the film's epic scope and the intensely but tragically romantic story it tells. There has even been some comparison with James Cameron's Titanic.
Artvoice  |  George Sax  |  01-11-2008  |  Reviews

'Charlie Wilson's War': Mr. Wilson's World Ordernew

Well, finally the American film industry has done it. At last, there's a movie about American foreign policies and programs in the Middle East and West Asia, in Iraq and Afghanistan, that Americans can feel good about.
Artvoice  |  George Sax  |  12-28-2007  |  Reviews

'Lions for Lambs': From a Lofty Liberal Lecternnew

Dramatic is a quality that Lions never comes close to achieving. It's a ponderous creation of sentimental high-mindedness and stilted evasiveness.
Artvoice  |  George Sax  |  11-09-2007  |  Reviews

'The Darjeeling Limited': The Disorienting Expressnew

This is probably the most striking, and perhaps the most memorable, of Wes Anderson's five films. This doesn't mean that it's the best, or even that it's good.
Artvoice  |  George Sax  |  10-26-2007  |  Reviews

'Gone Baby Gone': Right and Wrongnew

Some of the music in the film is a bit on the maudlin side -- and that's the only bad thing I have to say about it.
Artvoice  |  M. Faust  |  10-19-2007  |  Reviews

Tony Gilroy's Power of Attorneynew

Gilroy is a veteran screenwriter (the Bourne movies) making his directorial debut, and there may be an interesting irony in the results: He seems to have been more successful in his new role than in his scripting job.
Artvoice  |  George Sax  |  10-12-2007  |  Reviews

Paul Haggis Over-reaches with 'In the Valley of Elah'new

While he hasn’t resorted to the thumping didacticism and patronizing ironies he employed in his Oscar-winning Crash, but In the Valley of Elah isn’t free of too easy point-making.
Artvoice  |  George Sax  |  09-21-2007  |  Reviews

'Resurrecting the Champ': Fathers, Sons, & Palookasnew

The film slathers a thick, shiny varnish coat of sententiousness and sentiment over its narrative.
Artvoice  |  George Sax  |  08-24-2007  |  Reviews

'The Invasion': Spore Warsnew

Whether or not any new interpretation of this old story could capture anxieties and unconscious fears in our era the way at least two of the previous versions did, this movie isn't up to that challenge.
Artvoice  |  George Sax  |  08-17-2007  |  Reviews

'The Simpsons Movie': Underachieving Overachieversnew

It plays like a padded single episode, with a few mild profanities to ensure a PG-13 rating -- I haven't been so disappointed since John Kerry's concession speech.
Artvoice  |  M. Faust  |  07-27-2007  |  Reviews

'Captivity': Bait and Switchnew

A good movie should have something for everyone: this one has nothing for anyone.
Artvoice  |  M. Faust  |  07-20-2007  |  Reviews

Mad About the Boynew

Notes is a very clever film, but in a curious way, smaller than the novel.
Artvoice  |  George Sax  |  01-29-2007  |  Reviews

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