AltWeeklies Wire

Cross to Bear

With its facile attempt at political indictment and across-the-board caricature, Poster Boy is less thought-provoking than just plain irritating.
Washington City Paper  |  Tricia Olszewski  |  08-25-2006  |  Reviews

Fifteen Blue

This is a Bible story set in the universe of Hummer limos and gentrification.
Washington City Paper  |  Tricia Olszewski  |  08-25-2006  |  Reviews

The Bukowski Stops Here

Hamer's detachment suits the desultory exploits of Bukowski alter ego Henry Chinaski, who's underplayed with stunning authority by a bearded, lumpy Matt Dillon.
Washington City Paper  |  Mark Jenkins  |  08-25-2006  |  Reviews

Numb and Number

The protagonist, a villain by the standards of most American movies, is treated not as a hero but as something more interesting: a fully drawn individual characterized not only by pivotal mistakes but also by the reasons for making them.
Washington City Paper  |  Mark Jenkins  |  08-25-2006  |  Reviews

Freak to Cheek

Who will stop Sonzero from making another film?
Washington City Paper  |  Matthew Borlik  |  08-18-2006  |  Reviews

Step Off

If you don't hope for anything, you won't be disappointed.
Washington City Paper  |  Tricia Olszewski  |  08-18-2006  |  Reviews

Rolling Back the Years

If this is largely untraveled territory, that doesn't mean the jokes are fresh.
Washington City Paper  |  Mark Jenkins  |  08-18-2006  |  Reviews

Man-Witch

This is the kind of film M. Night Shyamalan wishes he could still make.
Washington City Paper  |  Tricia Olszewski  |  08-18-2006  |  Reviews

Sloppy Joes

Trust the Man is an imperfect if pleasant surprise.
Washington City Paper  |  Tricia Olszewski  |  08-18-2006  |  Reviews

No Pain, No Gain

Time to Leave makes the prelude to doom look remarkably banal and largely painless.
Washington City Paper  |  Mark Jenkins  |  08-18-2006  |  Reviews

Beached Wails

Heading South understands the Third World-tourist dynamic, and neatly delineates the way two different kinds of people can live different kinds of existence in the same place.
Washington City Paper  |  Mark Jenkins  |  08-18-2006  |  Reviews

Grandly Guignol

The film has cheesy dialogue and plot holes a mile wide, but also contains tight pacing, plenty of expertly timed scares, and the generous helping of unapologetic gore that's been missing from the glut of "horror" movies currently plaguing American screens.
Washington City Paper  |  Jason Powell  |  08-14-2006  |  Reviews

Udder Disappointment

There are a few funny bits here and there, but any movie in which a singing cow introduces kids to Tom Petty can't be all bad.
Washington City Paper  |  Tricia Olszewski  |  08-14-2006  |  Reviews

A Role in the Hay

Neither forcefully fruity nor sitcom-y broad, this story is pretty fabulous.
Washington City Paper  |  Tricia Olszewski  |  08-14-2006  |  Reviews

Auteur Redemption

World Trade Center doesn't stint on devastation, but ultimately it depicts the towers' smoking remains as a place where souls are reclaimed -- and thus, by implication, where a director's shattered career can also be reborn.
Washington City Paper  |  Mark Jenkins  |  08-14-2006  |  Reviews

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