AltWeeklies Wire
Local filmmaker gets into Indie Grits with Reednew
Dorian Warneck's mother Petrea is an oboeist, and like many oboeists, she makes her own reeds. Carving tools, lacquers, and cane shavings were a normal sight during his childhood, so Warneck never thought twice about his mom's craft.
Charleston City Paper |
Susan Cohen |
04-18-2013 |
Profiles & Interviews
The Unchained Tour's Peter Aguero talks about life on the busnew
It took only three days for the 1972 Blue Bird school bus to break down on the Unchained Tour's last jaunt in February. The vehicle, which transports a cluster of kooky storytellers and musicians to venues around the South, still had a ways to go. While most of the performers went ahead in a van, the bus perpetually lagged behind the rest of the day.
Charleston City Paper |
Susan Cohen |
09-19-2012 |
Profiles & Interviews
According to Ira Glass, Making Movies Isn't So Funnew
A conversation with Ira Glass about Sleepwalk With Me.
Charleston City Paper |
Susan Cohen |
09-13-2012 |
Profiles & Interviews
In Dreamsnew
Does the 'Sleepwalk With Me' film hold up to its other versions?
Charleston City Paper |
Susan Cohen |
09-12-2012 |
Reviews
Bobcat Goldthwait's God Bless America sheds a light on tastelessnessnew
For a movie that starts off with a man fantasizing about killing his annoying neighbors and their baby, Bobcat Goldthwait's God Bless America has a very hippie underbelly.
Charleston City Paper |
Susan Cohen |
05-24-2012 |
Reviews
Let's celebrate 100 years of the Titanic with a 3-D movienew
I already knew that Jack would die.
Charleston City Paper |
Susan Cohen |
04-05-2012 |
Movies
Filmmaker explores an outsider’s view of My Americanew
The oil-hungry, debt-loaded America of today is no longer the big-action Reagan-driven America that Hegedus fell so in love with, and in My America, Hegedus has to come to terms with this realization.
Charleston City Paper |
Susan Cohen |
04-04-2012 |
Reviews
Tags: My America
Colin Quashie's pointed response to the world around himnew
It may be difficult to spot Colin Quashie's second-story studio if you aren't explicitly looking for it. An indistinct C and Q pasted to a glass door are the only clues that something else goes on in this standalone brick-and-concrete building on Upper King Street besides the haircuts that take place in the first-floor barber shop. It doesn't help that the logo gives a better impression of a cloud than a formal set of initials, the puffy and bulbous letters joined together in a cartoonish fashion. So instead, a better sign of what happens on the second story may be in the downstairs shop, where one of Quashie's works hangs on a wall near the wide windows.
Charleston City Paper |
Susan Cohen |
03-31-2012 |
Profiles & Interviews
Colbert Report Unexpectedly Cancels Tapingsnew
The Colbert Report has canceled two scheduled days of filming this week.
Charleston City Paper |
Susan Cohen |
02-16-2012 |
TV
The Other F Word shows what happens to punks when they have kidsnew
The Other F Word, a documentary by Andrea Blaugrund Nevins, explores a very specific facet of aging and what occurs when men with forehead tattoos and their own daddy issues procreate.
Charleston City Paper |
Susan Cohen |
02-01-2012 |
Reviews
Carnage is Roman Polanski’s real-time brawl between flawed parentsnew
Roman Polanski's film is the real-time encounter between two sets of parents — the bordering-on-mediocrity Penelope (Jodie Foster) and Michael (John C. Reilly) Longstreet and the obviously wealthier Nancy (Kate Winslet) and Alan (Christoph Waltz) Cowan — following a scuffle between their sons.
Charleston City Paper |
Susan Cohen |
01-11-2012 |
Reviews
Tags: Roman Polanski, Carnage (2011)
No, John Waters, Kaboom is not one of the best films of the yearnew
When I saw that director and Baltimorean John Waters had drawn up his own for the top films of 2011 for Art Forum, I perked up.
Charleston City Paper |
Susan Cohen |
01-02-2012 |
Profiles & Interviews
Depression, destruction, and selfishness play out in Melancholianew
In the first half of Melancholia, Justine (Kirsten Dunst) slowly but surely sabotages her own wedding reception, and you can't really blame her, because there is no one there who doesn't demand something from her or from the occasion.
Charleston City Paper |
Susan Cohen |
12-07-2011 |
Reviews
Tags: Melancholia
Tucker and Dale vs. Violent Coincidencesnew
We live in a post-Shaun of the Dead world. Not only can the comedy horror film be done, but it can be done well — and it can make a lot of money. The key is character development. Zombieland worked. Jennifer's Body? Not so much. Written and directed by Eli Craig, Tucker and Dale Vs. Evil sits comfortably somewhere between the two. Set in the utterly terrifying landscape of West Virginia, the hyperbolically named film employs an interesting concept: What if the villains in the typical slasher film weren't really all that bad? What if it was all in the minds of their "victims"?
Charleston City Paper |
Susan Cohen |
11-03-2011 |
Reviews
Twenty Years Later, Julie Dash's Film Daughters of the Dust Continues to Inspirenew
It is 1902, and the Peazant family is celebrating. Black women in white dresses twirl on the white sand, bordered by blue water and blue sky, clapping hands and playing games. They are preparing to pass over to the mainland, and what's past is prologue, says Viola Peazant. The Christian missionary and cousin is returning to her family to mark the occasion, photographer in tow. Meanwhile, Nana, the matriarch, sticks to her home in the woods. She fears what may be lost when her clan migrates north without her.
Charleston City Paper |
Susan Cohen |
09-15-2011 |
Profiles & Interviews
