AltWeeklies Wire
The Pains of Being Pure at Heart is All Teenage Angst and Trebly Melancholynew
I've called Peggy Wang to talk about her New York-based pop band, The Pains of Being Pure at Heart, and its second record Belong, out this week on Slumberland Records. She wants to talk about boiled crawfish and the Neutral Ground Coffeehouse. Fair trade.
Gambit |
Noah Bonaparte Pais |
04-05-2011 |
Profiles & Interviews
Reinventing the Wheelnew
Yo La Tengo takes Tipitina's for a spin.
Gambit |
Noah Bonaparte Pais |
01-25-2011 |
Profiles & Interviews
Tags: Yo La Tengo
Future Islands: 'In Evening Air'new
Future Islands returns with a compelling record of its progress. It's dance music with a dark muse, New Wave with new weight.
Tags: In Evening Air, Future Islands
Extravagant Tribute Concert Doubles As a Fundraising Boon for Private Foundationnew
Rock 'n' roll legends headline this week's Domino Effect, a lavish, all-star concert paying tribute to Fats Domino — and paying dividends to NFL quarterback Drew Brees' Dream Foundation, which is working to rebuild New Orleans' schools, parks and playgrounds.
Jim Gaffigan: Banal Retentivenew
Comedian Jim Gaffigan jokes about mundane topics in his signature washed-out, falsetto delivery.
Gambit |
Noah Bonaparte Pais |
05-20-2009 |
Performance
Tags: Jim Gaffigan, stand-up comedy
'Shotgun' Is as Much a Forum for Conversation as It Is a Form of Entertainmentnew
Shotgun, author John Biguenet's second play in his three-production Rising Water cycle, examines New Orleans class and race divisions in the aftermath of Hurricane Katrina.
Gambit |
Noah Bonaparte Pais |
05-05-2009 |
Performance
The Ponderosa Stomp Returns to New Orleansnew
Now in its eighth year, Dr. Ike Padnos' Ponderosa Stomp has evolved into more than just the anesthesiologist-by-day's moonlighting plaything; it's a time warp, a cultural preserve and a seemingly nonstop, 36-hour concert all rolled into one.
Gambit |
Noah Bonaparte Pais |
04-28-2009 |
Performance
A Blue-Ribbon Green Housenew
Two LSU architecture students win a design competition with an affordabe, sustainable house for a New Orleans area ravaged by Hurricane Katrina. The design incorporates a shipping container, a wall of recycled crab traps with oyster shells in them, and fishing nets used as balcony railings.
Gambit |
Noah Bonaparte Pais |
04-24-2009 |
Environment
Avett Brothersnew
Scott and Seth Avett have bluegrass in their blood, but the pair actually cut their teeth on old-fashioned rock ’n' roll. Their fifth and finest album, Emotionalism, bears hallmarks of folk, rock,pop and even punk, filtered through the brothers' heart-on-the-sleeve aesthetic.
Gambit |
Noah Bonaparte Pais |
04-24-2009 |
Profiles & Interviews
There's Everything from Rock to Opera at the French Quarter Festivalnew
Gorging on live music is an annual tradition at the French Quarter Festival, long a one-stop shop for New Orleans' club scene.
Gambit |
Noah Bonaparte Pais |
04-14-2009 |
Performance
Post-'K-Ville'new
New Orleans could get a proper prime-time spotlight with David Simon's Treme, whose pilot shoot wrapped earlier this month. Now all HBO needs to say is "go."
Electro-Maestro Dan Deacon Unveils an Android Symphonynew
The unruly Baltimore DIY artists' collective Wham City was evicted in 2007, and the scope of Bromst in turn reflects a post-party Deacon.
Gambit |
Noah Bonaparte Pais |
04-08-2009 |
Profiles & Interviews
The Struggles of Bayou Boogaloonew
The Mid-City Bayou Boogaloo outdoor concert in New Orleans has operated relatively smoothly for the past two years, but infighting and questions about finances could bring it to an end.
Gambit |
Noah Bonaparte Pais |
03-17-2009 |
Performance
Double Exposure: Michael P. Smithnew
The work of cultural photographer Michael P. Smith, who died last year, is exhibited in two New Orleans venues, with one creating digital reproductions of rarely or not before seen images.
Tags: photography, Michael P. Smith
Can 'Trouble the Water' Wrangle an Oscar from 'Man on Wire'?new
Regardless of who takes the gold on Sunday, Carl Deal feels his film's influence on the discussion about Katrina -- specifically, its first-person commentary on how governments prioritize and interact with the people they are supposed to serve -- is victory enough.
