AltWeeklies Wire

Nothing Matters

Despite indulging in such Errol Morris-y touches as convex lenses and distorted sound to convey Bruce's initial dislocation, Murray tells this story with empathy and grace.
Washington City Paper  |  Louis Bayard  |  03-17-2006  |  Reviews

Hazy Shades

Winter Passing is enervated and underrealized.
Washington City Paper  |  Louis Bayard  |  03-10-2006  |  Reviews

Beach Slap

Affable, synthetic and 100 percent girly, this beach-blanket renovation of The Little Mermaid boasts a virtually unknown cast and a plot so flimsy that merely to recount it is to kill it.
Washington City Paper  |  Louis Bayard  |  03-03-2006  |  Reviews

Butt Seriously

Largely redundant, the only thing Lovett really adds to the post-Stonewall mythography is to remind us how attractive men's bodies actually were in the 70s, before the plague.
Washington City Paper  |  Louis Bayard  |  03-03-2006  |  Reviews

Courting Rituals

No one in front of or behind the camera in this film seems able to imagine a better outcome for a young black man from the projects than realizing those dreams of a Bentley and a Rolex and a shoe with his own name on it.
Washington City Paper  |  Louis Bayard  |  03-03-2006  |  Reviews

Banana Fritter

Despite a couple of good jokes, George's plot line is too blah for bigger kids and too complicated for the pre-K acolytes.
Washington City Paper  |  Louis Bayard  |  02-10-2006  |  Reviews

Pardon Our French

The Pink Panther is a parlor game that should've stayed in Steve Martin's parlor.
Washington City Paper  |  Louis Bayard  |  02-10-2006  |  Reviews

A History of Violins

A humane and humanizing look at the guts of the symphonic orchestra, this film is also a feast of sound.
Washington City Paper  |  Louis Bayard  |  02-03-2006  |  Reviews

Life Isn't Beautiful

Does Fateless clear the bar already set by previous Holocaust accounts? Yes, but in a paradoxical way -- by pretending that the bar isn't there
Washington City Paper  |  Louis Bayard  |  02-03-2006  |  Reviews

Standard Spelling

In these post-Thatcher times, the closest thing the British theater has to a welfare program is the Harry Potter movies.
Washington City Paper  |  Louis Bayard  |  11-18-2005  |  Reviews

Dying for Undying Fame

If the theme of Jarhead is killers wanting to kill, the theme of Paradise Now is killers wondering if they should kill.
Washington City Paper  |  Louis Bayard  |  11-04-2005  |  Reviews

Violence Is Golden

Sam Mendes' bleakly funny, stunningly realized Jarhead brings us a world in which violence, far from erupting, remains eternally, almost unnaturally, constrained.
Washington City Paper  |  Louis Bayard  |  11-04-2005  |  Reviews

Green Street Hooligans

It's understandable that Elijah Wood should want to atone for being a hobbit.
Washington City Paper  |  Louis Bayard  |  10-14-2005  |  Reviews

Vegetable Matters

Lumpy and tuberish, the clay-on-wire creations of animator Nick Park sag with the weight of years. Yet who'd have guessed that clay could feel so light?
Washington City Paper  |  Louis Bayard  |  10-07-2005  |  Reviews

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