Wu-Tang's Raekwon Discusses Reuniting and Reconnecting with Fans
Tucson Weekly |
December 4, 2008
Tucson Weekly
Founded in 1984, the Tucson Weekly has become an iconoclastic institution in this sprawling desert boom town with a population approaching 1 million. With its reputation for diverse, compelling journalism with an edge, the paper has built a readership of...
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Deafheaven: Vulnerable and Violentnew
Whether they're playing black metal, shoegaze or some collision of the two, Deafheaven are among the most acclaimed acts in music right now
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Gene Armstrong |
03-27-2014 |
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J.D. Wilkes & the Dirt Daubers: Wild Moonnew
What began as an old-timey unplugged side project for psychobilly trailblazer J.D. Wilkes and his pinup-gorgeous wife, Jessica, has evolved on their third album into a swaggeringly electric band that specializes in swamp blues and twangy garage-abilly. Fans of Wilkes' Legendary Shack Shakers will appreciate the after-midnight roadhouse energy of the Dirt Daubers, but this group also crafts concise songs with oodles of melodic hooks that all might have been hit singles in an alternate jukebox universe...
Tucson Weekly |
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Howe Gelb: The Coincidentalistnew
On his latest album of avant-twang and alternative folk-rock, the Giant Sand leader and Tucson music-scene godfather sings in an almost spoken drawl, by turns gruff and sweet, that may be familiar to longtime fans. But here it's mixed up close, like an intimate, whispered confidence, as if Gelb were spinning old stories in the privacy of your living room...
Tucson Weekly |
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Celebrating the Silencesnew
Thirty years after his breakthrough album, Steve Roach is still in the Sonoran Desert creating "resonant sonic spaces"
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Marianne Dissard: The Cat. Not Menew
French-born Marianne Dissard left her longtime home of Tucson last year, but not before recording her third proper album, one that pairs ambitious musical leaps with greater emotional vulnerability. Variety has characterized Dissard's musical path, from 2008's L'Entredeux (written with and produced by Calexico's Joey Burns), which found Dissard channeling Americana through her French chanson tradition, to the bright and theatrical L'Abandon (2011) to two loose, off-the cuff recordings, made in Berlin and Paris with her small touring ensembles...
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Southern Blendnew
Dent May's Mississippi-based, mixed-up pop songs.
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