AltWeeklies Wire

#$*! If We Knownew

Quantum physics, intent and possibility, science and fantasy … Is this doc hybrid a goofy cult phenomenon or educational primer?
Austin Chronicle  |  Marc Savlov  |  09-10-2004  |  Reviews

Just Shoot Menew

Each character is more distasteful than the next in this vicious revenge fantasy produced by Mel Gibson.
Austin Chronicle  |  Marjorie Baumgarten  |  09-10-2004  |  Reviews

Women in Lovenew

In this mildly daffy Spanish import, a woman's grown daughters react to the news that their mother has taken a female lover 20 years younger than she.
Austin Chronicle  |  Kimberley Jones  |  09-10-2004  |  Reviews

When Metal Meets Touchy-Feelynew

You don't have to be a Metallica fan to enjoy this candid documentary about rockers in therapy.
Austin Chronicle  |  Marrit Ingman  |  09-10-2004  |  Reviews

A Bump in the Night, Japanese-Stylenew

Fear of what's lurking just out of sight is at the heart of this horror film.
Austin Chronicle  |  Marc Savlov  |  09-10-2004  |  Reviews

The (Not So) Perfect Scorenew

A solid but uninventive American remake of a sly Argentinean movie about a couple of con men should have left well enough alone.
Austin Chronicle  |  Marjorie Baumgarten  |  09-10-2004  |  Reviews

Lousy to Tastenew

What could have been an admirable meditation on family opts instead for crass caricature and hip-hop stereotypes.
Austin Chronicle  |  Kimberley Jones  |  09-10-2004  |  Reviews

Dial K for Kidnappingnew

It might feel like a B-picture – but a smart, finely tuned one that wouldn’t have been out of place in Roger Corman’s mid-Seventies stable.
Austin Chronicle  |  Marc Savlov  |  09-10-2004  |  Reviews

Freeze-framenew

Ten years after Roxbury, Massachusetts, filmmaker Robert Patton-Spruill directed his critically acclaimed film Squeeze, he’s finally back behind the camera. Will it be worth the wait? Does it even matter?
Boston Phoenix  |  Camille Dodero  |  09-09-2004  |  Profiles & Interviews

Ended Summernew

Robb Moss had a 16-millimeter movie camera in 1978, and he took it with him when he and a group of his closest friends went to the Grand Canyon for a summer on the river, a summer of floats and kayaks, heart-stoppingly gorgeous scenery, open-fire meals and the politics of fading adolescence.
Missoula Independent  |  Susanna Sonnenberg  |  09-09-2004  |  Reviews

Immigrants Chase Green Cards on Reality Shownew

Seen on Spanish-language stations in L.A., San Diego, Houston and Dallas, Gana la Verde is basically Fear Factor, only instead of blondes in bikinis competing for money, the contestants are Latinos competing for a year's worth of counsel from an immigration lawyer.
Long Island Press  |  Todd Hyman  |  09-09-2004  |  TV

First-Time Director Lance Rivera Never Finds the Laid-Back Tonenew

Too often The Cookout leaves comic opportunities half-baked while smothering the audience in flavorless homilies about family values.
Creative Loafing (Atlanta)  |  Curt Holman  |  09-09-2004  |  Reviews

Gallo Uses Style as a Distraction From Lack of Originalitynew

All of the negative hype and reports of boos from audiences at the 2003 Cannes Film Festival prove to be legitimate responses to Vincent Gallo's masturbatory opus, The Brown Bunny.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-09-2004  |  Reviews

Philosophical Documentary is About Everything and Nothingnew

If you yawned at the high-tech action scenes of the Matrix movies but loved all the verbiage about the nature of reality, feed your head with What the #$*! Do We Know!?
Creative Loafing (Atlanta)  |  Curt Holman  |  09-09-2004  |  Reviews

Two Danish Filmmakers Make Art Out of Playnew

Von Trier asked Leth to remake his 1967 short The Perfect Human five times according to von Trier's exacting specifications. The resulting documentary is the ambitious and at times flawed The Five Obstructions, in which Leth and his films are analyzed, scrutinized and cut to pieces by von Trier.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-09-2004  |  Reviews

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