AltWeeklies Wire

Totaled Recall

Amnesia is a timeworn cinematic plot device, but Murray took inspiration from more experimental works.
Washington City Paper  |  Mark Jenkins  |  03-17-2006  |  Profiles & Interviews

Bombs Away!new

In his disturbing documentary, Jarecki argues that neither the Republicans nor the Democrats stand a fighting chance against the American war machine.
Montreal Mirror  |  Sarah Rowland  |  03-17-2006  |  Profiles & Interviews

Disgusting Desertnew

Nuclear mutants provide great scares and extreme gore in The Hills Have Eyes.
Tucson Weekly  |  Bob Grimm  |  03-16-2006  |  Reviews

The Inhumanity!new

Lars von Trier scolds everyone in this well-made but extremely negative flick.
Tucson Weekly  |  James DiGiovanna  |  03-16-2006  |  Reviews

The Joy of Sectsnew

Fortunately, HBO's track record of long-term commitments to its programs suggests that Big Love can outgrow its sensational, superficial qualities.
Creative Loafing (Atlanta)  |  Curt Holman  |  03-16-2006  |  TV

Chronicles of the Vindicatednew

The men in After Innocence are released from prison, often without even an apology and are expected to get on with their lives and forget the decades stolen from them.
Creative Loafing (Atlanta)  |  Felecia Feaster  |  03-16-2006  |  Reviews

Old-World Debaucherynew

Contributing to the drama's disingenuous tone, love finally proves a greater force in The Libertine than the orgies, giant dildos, sexual abduction and whoring that initially give the film its naughty, funky edge.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  03-16-2006  |  Reviews

Valuing Vague Virtuesnew

In a post-9/11 world, could any film be as politically provocative as one that makes a hero out of a bomb-throwing terrorist?
Creative Loafing (Atlanta)  |  Curt Holman  |  03-16-2006  |  Reviews

V for Vexingnew

This revolution is better suited for the funny pages.
New York Press  |  Matt Zoller Seitz  |  03-16-2006  |  Reviews

Arms and the Mannew

Despite their differences of style, Eugene Jarecki and Michael Moore are two of a kind: debaters, not journalists.
Sacramento News & Review  |  Jonathan Kiefer  |  03-16-2006  |  Reviews

Knock Outnew

Wenders and Sam Shepard color-coat the American landscape, creating a film where the real world and art are experienced simultaneously.
New York Press  |  Armond White  |  03-16-2006  |  Reviews

Who's Your Daddy, America?new

Big Love and Sons & Daughters present dysfunction in two new models.
L.A. Weekly  |  Robert Abele  |  03-16-2006  |  TV

Terrorism (The Good Kind)new

The new film version of a futuristic graphic novel overcomes obstacles.
San Diego CityBeat  |  Anders Wright  |  03-15-2006  |  Reviews

Jackbooted Into the Futurenew

This is a futuristic slice of pop-culture agitprop, replete with a costumed antihero, lovingly choreographed action sequences, cunningly ornate dialogue and a rousing score.
Austin Chronicle  |  Marc Savlov  |  03-15-2006  |  Reviews

Demme and Young: In Concertnew

Jonathan Demme dreams us back to the golden age of performance films, in which Neil Young unfolds his latest album Prairie Wind in concert at Nashville's Ryman Auditorium.
Austin Chronicle  |  Raoul Hernandez  |  03-15-2006  |  Reviews

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