AltWeeklies Wire

Creepy Weepienew

This oddly dispassionate film about a young man dying of cancer is the French antidote to those Hollywood weepies in which the heroine courageously faces her own mortality with every hair in place.
Austin Chronicle  |  Steve Davis  |  09-22-2006  |  Reviews

The Unkindest Cutsnew

Everyone complains about the perceived shortcomings of the MPAA, but nobody did anything -- that is, until activist documentarian Kirby Dick.
Austin Chronicle  |  Marjorie Baumgarten  |  09-22-2006  |  Reviews

Dream Loversnew

Michel Gondry's film is messy, confusing, painful, and ultimately utterly rewarding, thanks in no small measure to the unfettered talents of Gael García Bernal and Charlotte Gainsbourg.
Austin Chronicle  |  Marc Savlov  |  09-22-2006  |  Reviews

Socially Trangsressive Living Artnew

Strange as it may be to say, Jackass: Number Two is just the kind of vicarious excitement for which the movies were invented.
Austin Chronicle  |  Josh Rosenblatt  |  09-22-2006  |  Reviews

Matrimonial Affairsnew

Even if it's not quite an affair to remember all year, this BBC Films mockumentary about three wacky weddings is pleasant and enjoyably diverting.
Austin Chronicle  |  Marrit Ingman  |  09-22-2006  |  Reviews

The Emperor Has No Clothesnew

It's astonishing how bad this movie is despite an A-list cast and director.
Austin Chronicle  |  Marjorie Baumgarten  |  09-22-2006  |  Reviews

For Whom the Bong Tollsnew

Chong cuts a hugely sympathetic figure in the story of his legal troubles after Operation Pipe Dreams, an anti-paraphernalia sweep that specifically targeted his bong business.
Austin Chronicle  |  Marrit Ingman  |  09-22-2006  |  Reviews

Snooze Alarm

This film is more proof that Gael García Bernal has the worst taste in screenplays of any currently hot actor.
Washington City Paper  |  Mark Jenkins  |  09-22-2006  |  Reviews

Unsafe Harbor

Haven is no masterwork, but Flowers orchestrates local color and intricate melodrama with more flair than many more experienced directors.
Washington City Paper  |  Mark Jenkins  |  09-22-2006  |  Reviews

Unearthly Mess

The frenetic camerawork is a convenient ploy to keep the audience from finding out that even the filmmakers don't know what the hell is going on.
Washington City Paper  |  Tricia Olszewski  |  09-22-2006  |  Reviews

Something Borrowed, Something Blew

Initially idealist politicians often turn corrupt -- it's probably safe to say that for many people in 2006, that idea is pretty much a given.
Washington City Paper  |  Tricia Olszewski  |  09-22-2006  |  Reviews

A Deliriously Disreputable Misfirenew

The movie is one-third conventional Ellroy adaptation(à la L.A. Confidential), one-third De Palma personal cinema freak-out, and one-third film-noir cliché.
The Memphis Flyer  |  Chris Herrington  |  09-22-2006  |  Reviews

Exorbitant Hyperbolenew

But it's True: Science of Sleep Is Really That Good
The Portland Mercury  |  Erik Henriksen  |  09-21-2006  |  Reviews

Every King a Mannew

Compared with the liberties the early film took with the novel, Zaillian shows an almost painful level of respect for the book, but loses its soul somewhere on the campaign trail.
Creative Loafing (Atlanta)  |  Curt Holman  |  09-21-2006  |  Reviews

Bushwhackednew

The POTUS makes a tall target at this year's Toronto International Film Festival.
Nashville Scene  |  Jim Ridley  |  09-21-2006  |  Movies

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