AltWeeklies Wire

Group Makes Connections Not Originally Intended to Existnew

The group mixes sprawling shards of percolating percussion with burbling bass and hiccuping vocals, creating a micro-edited chaotic bliss. But where past material bristled, Connector bustles.
Creative Loafing (Atlanta)  |  Tony Ware  |  10-14-2004  |  Reviews

Live and Well Celebrates Parton's Recent Worknew

Recorded and filmed at her theme park Dollywood, the 23 tracks are loaded heavily with bluegrass, but Parton gives some time to the string of '70s and '80s era pop-country hits such as "Islands in the Stream" and "Here You Come Again."
Creative Loafing (Atlanta)  |  James Kelly  |  10-14-2004  |  Reviews

The Faint Pads its Pants a Bit With Latest Releasenew

Wet From Birth, the third full-length from serrated synth-pop revivalists the Faint, is -- despite the title -- neither a birth nor rebirth for the Omaha-based quintet; it is a gestation.
Creative Loafing (Atlanta)  |  Tony Ware  |  10-14-2004  |  Reviews

Reissues Reveal Troubled Brilliance of Brian Wilsonnew

Wilson has completed and finally released SMiLE (Nonesuch), his "teenage symphony to God" and an exercise in "modular" recording. Now the obvious question would be does SMiLE live up to its legend?
Creative Loafing (Atlanta)  |  Tony Ware  |  10-14-2004  |  Reviews

Being All Things to All Peoplenew

The St. Louis rapper releases his third and fourth albums at the same time, each revealing a distinct side of him. Sweat is for the kids and Suit for the over-25 set.
Illinois Times  |  René Spencer Saller  |  10-08-2004  |  Reviews

Cognitive Dissonancenew

Sick unto death of so-called security moms and their effect on the upcoming election? Are women the new white men? The latest solo CD by Mekons singer Sally Timms seems spookily relevant. Also reviewed is Canadian singer/songwriter Julie Doiron's Goodnight Nobody.
Illinois Times  |  René Spencer Saller  |  10-08-2004  |  Reviews

Positive Message Lies Under Furious Guitar Riffingnew

Expansively tattooed songwriter/guitarist/ frontman Mike Ness still sings with his trademark lazy, nasal sneer, and the band's intensity remains fiery, if not quite as confrontational. The difference is that there's now a positive message under the furious guitar riffing and rousing Clash-styled stomp.
Creative Loafing (Atlanta)  |  Hal Horowitz  |  10-07-2004  |  Reviews

New CD Has All Ingredients to Make it Album of Yearnew

With the release of the recent full-length album, the Good Life is a showcase of different moods, from near-waltzes to theatrically flavored dramatic fare to all-out white-knuckled, emotional proclamation
Creative Loafing (Atlanta)  |  Nikhil Swaminathan  |  10-07-2004  |  Reviews

The Philibusternew

While flimsy and overwrought, this Collins retrospective provides for the introduction of a great new karaoke game to the world: the Philibuster. Nothing can be sung except Phil Collins songs, and the singer cannot pick any of his or her own titles.
Riverfront Times  |  Mike Seely  |  10-06-2004  |  Reviews

Scenography and Sisterwitnew

In her new album, the Philly songsmith injects the draggy funk tempos of neo-soul with intellect and honest blues.
The Village Voice  |  Jason King  |  10-06-2004  |  Reviews

One Soul LP, Hold the Soulnew

Fante's is a sanitized, smiley-faced soul with none of the guts or grandeur of his musical forefathers. Perhaps with time and experience he'll join their ranks; for now, he's a pleasant-enough accompaniment to a Frappucino. Also reviewed is Martina Topley-Bird's Anything.
Illinois Times  |  René Spencer Saller  |  09-23-2004  |  Reviews

Pity the GOP Hipsternew

Even Republicans -- if they could get over the fact that 100 percent of sales proceeds go to godless, tree-hugging, wealth-redistributing deviants -- might actually like this CD. Also reviewed is Keren Ann's Not Going Anywhere.
Illinois Times  |  René Spencer Saller  |  09-23-2004  |  Reviews

Finally, an Album of Original Material from the Mulenew

Not only does it herald the arrival of new permanent bass player Andy Hess, but the once-proud power trio has expanded into a quartet with the addition of keyboardist Danny Louis. Both are talented and eclectic musicians who help diversify, but not dilute, Mule's established, bluesy hard rock.
Creative Loafing (Atlanta)  |  Hal Horowitz  |  09-23-2004  |  Reviews

Float Onnew

M83 is a French band that makes huge, holy soundscapes out of guitars, synthesizers, drum machines, and voices. Its sound is as gigantic and complex and stupefying as the galaxy it's named after.
SF Weekly  |  Garrett Kamps  |  09-22-2004  |  Reviews

Hobosapiensnew

It wouldn’t be a John Cale album without some puzzling moments.
Boston Phoenix  |  Mac Randall  |  09-22-2004  |  Reviews

Narrow Search

Category

Narrow by Date

  • Last 7 Days
  • Last 30 Days
  • Select a Date Range