AltWeeklies Wire

High Decibel: The B-sides of Our Livesnew

A listen to the Dropkick Murphys' new collection of B-sides is cause for reflection on mortality, mature decision-making and pop superfluousness.
Boulder Weekly  |  Vince Darcangelo  |  04-11-2005  |  Reviews

One Spin Shows Band Has Something Specialnew

The delightful concoction starts with a pinch of Celtic guitar, uilleann pipes and pennywhistles, then a little Afro-beat percussion, gorgeous traditional fiddle and old-timey banjo.
Creative Loafing (Atlanta)  |  James Kelly  |  04-07-2005  |  Reviews

Strum and Jangle Isn't Easily Forgottennew

A collection of singles and non-album tracks that encapsulate the group's most essential and obscure material released throughout the '90s, this link in Panoply's evolutionary chain harvests bleak rhythms and searing sonic scuffs in one definitive document of disjointed parallels.
Creative Loafing (Atlanta)  |  Chad Radford  |  04-07-2005  |  Reviews

Looney Tunes Gone Wildnew

The fifth offering from Mike Patton and Co. pays homage to both the month of April and the soundtracks from the golden era of Warner Bros. cartoons. It sounds simple but when executed, it's Looney Tunes gone wild.
Creative Loafing (Atlanta)  |  Chad Radford  |  04-07-2005  |  Reviews

From Muse to Non-Lolitanew

Keren Ann Zeidel's lyrics are both commonplace and enigmatic, a series of ordinary observations that accumulate meaning obliquely, transparent layer by transparent layer, like a Rembrandt painting or a Raymond Carver story.
Illinois Times  |  Rene Spencer Saller  |  04-05-2005  |  Reviews

Not Quite a Sea Changenew

The consensus on Low’s seventh full-length album and first for Sub Pop, is that it represents a Great Departure. Also reviewed is The Fiery Furnaces'EP.
Illinois Times  |  Rene Spencer Saller  |  03-25-2005  |  Reviews

Songs About Poseursnew

Underneath the surface mockery of Clem Snide's fifth album is a deep and abiding sympathy, a generosity of spirit that refuses to succumb to despair. Also reviewed is Petra Haden's Petra Haden Sings: The Who Sell Out.
Illinois Times  |  Rene Spencer Saller  |  03-25-2005  |  Reviews

All Things Must Passnew

Throughout his new album, John Davis sounds like a man freed from bondage. For the first time in a while, he is really singing -- and playing -- from the heart.
Metroland  |  John Brodeur  |  03-24-2005  |  Reviews

Solid Statenew

M. Ward looks back to the eclectic days of free-form programming with his latest album, Transistor Radio -- and makes a case for authenticity.
San Francisco Bay Guardian  |  Leah Freeman  |  03-23-2005  |  Reviews

Introspective Etherealitynew

Mia Doi Todd deals out lush, flowery folk on her fifth album.
Orlando Weekly  |  Dominic Umile  |  03-09-2005  |  Reviews

New Flight of Fancynew

Biirdie flies from Florida to L.A. (with a stop at Daniel Lanois' house) to get back to square one.
Orlando Weekly  |  Jason Ferguson  |  03-09-2005  |  Reviews

The Thing That Should Not Benew

Metal gods Judas Priest return on the wings of an "Angel."
Orlando Weekly  |  Jason Ferguson  |  03-09-2005  |  Reviews

Early Prediction: This Is the Best Rap CD of 2005new

Maya Arulpragasam, a Sri Lanka–raised, London-based MC who goes by the tag M.I.A., is an unlikely rapper with an unlikely backstory.
Illinois Times  |  Rene Spencer Saller  |  03-07-2005  |  Reviews

Was the Job of Jester Already Taken?new

If it weren't for their obnoxious singer and idiotic lyrics, Kings of Leon might be--well, hard to say--pretty tolerable?
City Pages (Twin Cities)  |  Dylan Hicks  |  03-04-2005  |  Reviews

Album is Central Entrypoint into Enonnew

Lost Marbles and Exploded Evidence, a collection of singles, rarities, and web-only tracks, takes shape as the group's most captivating listen to date.
Creative Loafing (Atlanta)  |  Chad Radford  |  03-03-2005  |  Reviews

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