AltWeeklies Wire

Sorrowful Sidewaysnew

Alexander Payne's newest Oscar contender is sadder and more reflective than his earlier films.
Tucson Weekly  |  James DiGiovanna  |  11-20-2004  |  Reviews

No Dicking Aroundnew

Condon's movie, faithful to several texts about Kinsey, may be set decades ago, but it feels as relevant as tomorrow's news. In the 1940s, Professor Kinsey fostered a discussion that has turned into a shouting match. No longer startled by his discoveries, we're now aghast at the implications.
Dallas Observer  |  Robert Wilonsky  |  11-19-2004  |  Reviews

Old Flame Still a Scorchernew

Part colorful noir, part scatterbrained comedy, Testosterone envisions the severed tether of a presumably functional relationship.
Austin Chronicle  |  Marc Savlov  |  11-18-2004  |  Reviews

Box Office Clamsnew

Nautical nonsense from a highly absorbent animated hero.
Austin Chronicle  |  Marrit Ingman  |  11-18-2004  |  Reviews

Fun With Dolls and Jennifer Tillynew

Over-the-top gore is the rule when Chucky and Tiffany are resurrected by their anatomically incorrect offspring.
Austin Chronicle  |  Marc Savlov  |  11-18-2004  |  Reviews

When Obsession Is the Family Businessnew

Odd casting and unimaginative, workmanlike direction make the painfully overlong National Treasure an exercise in mediocrity.
Austin Chronicle  |  Marc Savlov  |  11-18-2004  |  Reviews

Eminent Edwardiansnew

There's magic to the Peter Pan story, but precious little insight into its repressed magician.
Seattle Weekly  |  Tim Appelo  |  11-18-2004  |  Reviews

Love in Vainnew

Filmed in a rather minimalist style, this adaptation of the Ian McEwan novel tells an unsettling story about a stalker’s effect on a relationship.
Austin Chronicle  |  Marjorie Baumgarten  |  11-18-2004  |  Reviews

Take It All Off, Alfrednew

Biopic tells us too much about America's sexual habits, too little about what motivated its erotic expert.
Seattle Weekly  |  Tim Appelo  |  11-18-2004  |  Reviews

Castrating Alfienew

The original is a classic, and for good reason. Michael Caine’s seduction artist was a heel and a creep -- one who finds no redemption in the end. Conversely, there is no darkness in this version that a few sessions with a decent therapist and the right woman couldn't fix.
Missoula Independent  |  Nicole Panter  |  11-18-2004  |  Reviews

"Horror" Film a Funny Piece of No-Budget Drive-In Schlocknew

If you can get past the gore -- and with glimpses of steaming entrails, that’s a pretty big "if" -- you’ll find Seed of Chucky to be a silly, sloppy, yet surprisingly funny piece of no-budget drive-in schlock.
Creative Loafing (Atlanta)  |  Curt Holman  |  11-18-2004  |  Reviews

National Treasure Desecrates American Iconsnew

The Declaration of Independence gets stolen, shot at, dabbed with lemon juice, buffeted with blow dryers, dropped in busy streets and dangled above bottomless pits. Fortunately, Cage's character doesn't shove it up his ass to smuggle it out of the National Archives.
Creative Loafing (Atlanta)  |  Curt Holman  |  11-18-2004  |  Reviews

Fractured, Frantic Tarnation Finds Salvation in Pop Culturenew

Tarnation is a chaotic, moving and sometimes histrionic autobiographical memoir of Jonathan Caouette that suggests pop culture -- whether cult movies like Liquid Sky or a Houston new wave gay club -- offered him an escape from his grim home life in a Texas suburb.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  11-18-2004  |  Reviews

Bridget's Betrayed by a Dumb, Dull sequelnew

This inevitable offering has all the charm of a canceled CBS sitcom. With its nutty doings and zany antics, all it lacks are commercial breaks and a laugh track -- the latter being sorely missed, since this is a comedy that doesn't seem interested in being funny.
East Bay Express  |  Robert Wilonsky  |  11-16-2004  |  Reviews

Rhys' Piecenew

Enduring Love builds up enormous good will with its lapel-grabbing opening, its canny set-up scenes, and Rhys Ifans’ unnerving performance as a stalker in love. But in focusing on the psychological aspects of the psychological thriller, director Roger Michell asks a great many questions about love and obsession and then has trouble answering them.
Baltimore City Paper  |  Lee Gardner  |  11-16-2004  |  Reviews

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