AltWeeklies Wire

Eastwood Delivers a Knockoutnew

Glorious performances and Eastwood's confident direction result in a film that transcends the rules of its genre and shows us, with an unvarnished simplicity, how human beings struggle to come to terms with the unthinkable.
Austin Chronicle  |  Steve Davis  |  02-05-2005  |  Reviews

Pot Calling the Tea Kettle Blacknew

With this period piece set in 1950 London, British filmmaker Mike Leigh delivers his best picture in some time, and with it he seemingly aims to provoke conversation about the ethics of abortion.
Austin Chronicle  |  Marjorie Baumgarten  |  02-05-2005  |  Reviews

An Unsentimental Educationnew

Almodóvar delivers the finest movie of his career: a film noir melodrama that maybe should be called film sanguine.
Austin Chronicle  |  Marjorie Baumgarten  |  02-05-2005  |  Reviews

Shadow Playnew

There's a certain majesty to German director Boll's style of filmmaking: a freedom from art, talent, skill of any formal kind, and the sheer pigheadedness to keep going at any cost.
Austin Chronicle  |  Marc Savlov  |  02-05-2005  |  Reviews

Most Reviews of Wes Anderson's Latest Have Missed the Point

A lot of film critics are calling Wes Anderson's latest film a self-indulgent near miss. He can weather the abuse, having made a film that might be grim stuff were it not so dazzling and charming in its presentation.
Black & White  |  David Pelfrey  |  02-03-2005  |  Reviews

Cinematic Darknessnew

It's a bad week for horror movies: Alone in the Dark is memorably terrible.
Tucson Weekly  |  Bob Grimm  |  02-03-2005  |  Reviews

Horrid Horrornew

Hide and Seek leaves viewers with questions, like: Why is Robert De Niro trying to destroy his career?
Tucson Weekly  |  James DiGiovanna  |  02-03-2005  |  Reviews

Viewers May Be Moved Despite Themselvesnew

The documentary is about how one rural Whitwell, Tenn., middle school in 1998 built a remarkable monument commemorating the Holocaust. Honoring documentary convention to the letter, the film rests on a backhanded compliment.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  02-03-2005  |  Reviews

It Could Be Science FIction, But It's Based in Realitynew

Moolaadé is an impassioned treatise, not only against the mutilation of women, but also against the power structures of village life, where men are revered as gods and women are little more than livestock.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  02-03-2005  |  Reviews

Listening to Klingonnew

The documentary Earthlings transports us into a secret society ruled by codes and wonders all its own, the province of Trekkies who joined the Klingon Language Institute.
Westword  |  Bill Gallo  |  02-02-2005  |  Reviews

Love Lettersnew

In this moving, deceptively simple film, a weary Chinese mailman, his son and their dog take three days to complete a grueling trek to remote villages in south Hunan.
Cleveland Scene  |  Bill Gallo  |  02-02-2005  |  Reviews

Same Old Songnew

A kindly teacher wins over his wayward students in this syrupy, hackneyed French film.
Phoenix New Times  |  Melissa Levine  |  02-01-2005  |  Reviews

Still Hardnew

One of the best sequences of this meditation on war and suffering takes place in the ruined Sarajevo public library, a gutted shell, with fire barrels burning in the corners of a great empty room in which people are sorting through piles of books, trying to catalogue them.
East Bay Express  |  Kelly Vance  |  01-31-2005  |  Reviews

Nixon's the Onenew

With apologies to Arthur Miller, Niels Mueller's thoughtful drama might be advertised as Death of a Furniture Salesman.
Boulder Weekly  |  Thomas Delapa  |  01-28-2005  |  Reviews

Auld Lang Assaultnew

This John Carpenter remake may be even better than the original.
Tucson Weekly  |  Bob Grimm  |  01-28-2005  |  Reviews

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